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The most powerful love songs always turn on the discrepancy between the act of declaring love and the knowledge that the ostensible addressee is no longer there, was never there, and could never be there.
- Mark FisherPhoto by Johannes Plenio on Unsplash
The most powerful love songs always turn on the discrepancy between the act of declaring love and the knowledge that the ostensible addressee is no longer there, was never there, and could never be there.
- Mark FisherThe 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of...
Roxy Music' and 'For Your Pleasure,' those exercises in learning and...
Nietzsche should not be taken seriously as a political theorist, at least not...
Play a jungle record from 1993 to someone in 1989 and it would have sounded...
It's funny that all these goths paint their faces with such white make-up and that is the actual colour of my skin I am that pale!
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