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Every time I make American film I just trust American directors and American writers.

You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we're doing it.

Since fantasy isn't about technology the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!

Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.

Writers as they gain success feel like outsiders because writers don't come together in real groups.

The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.

I love sports as all Bostonians seem to. I love books and movies as all writers seem to.

I believe that writers unless they consider themselves terribly exquisite are at heart people who live by night a little bit outside society moving between delinquency and conformity.

I've told several writers this and again I get back to it but if you want to make God smile tell him your plans.

I started in this racket in the early '70s and when I was president of the Science Fiction Writers of America of which I was like the sixth president I was the first one nobody ever heard of.

Many writers upon the science of political economy have declared that it is the duty of a nation first to encourage the creation of wealth and second to direct and control its distribution. All such theories are delusive.

We sat around on a hotel balcony with a bottle of wine and tried to figure out how you would go about blowing up a planet. That's the kind of conversations science fiction writers have when they get together. We don't talk about football or anything like that.

Science fiction writers foresee the inevitable and although problems and catastrophes may be inevitable solutions are not.

I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers who are so narcissistic they consider every line of every review even a thoughtful one as major treason.

I think coldness is chic among writers and particularly ironic coldness. What is absolutely not allowable is sadness. People will do anything rather than to acknowledge that they are sad.

That is sad until one recalls how many bad books the world may yet be spared because of the busyness of writers.

Out of respect to writers you have to read the book in the way in which the author visualised it going out into the world.

I believe that like most writers my personality comes through in the fiction. So in that respect my writing can't be like any other author's really.

The writers I respect the most had an undying commitment to a vision.

I have learned to respect ideas wherever they come from. Often they come from clients. Account executives often have big creative ideas regardless of what some writers think.

There are numerous cases of that where one of our writers discovers another writer whom he likes and we then take that book on. So it's a very close relationship. We can do that because we're so small.

And I have the support of the writers: I have a great relationship with the creative team and they have a good hold of my character and my personality and they come up with some great stuff and I'm forever trying to change it up keep it fresh.

Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.

There are a few writers that one has a relationship with that means basically you do whatever they say. One is Caryl Churchill and the other is David Hare.

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It takes more than capital to swing business. You've got to have the A. I. D. degree to get by - Advertising, Initiative, and Dynamics.

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