I want to invite the mainstream into my world and to my sound and to what I'm doing. And I want mainstream artists to respect me and accept Latino artists as equals without us having to sing in English. I want them to know that I can compete globally, with whomever, in Spanish.

The big pay-off was to work as an artist and gain some shred of respect from your friends, who were also artists. But there was never any notion that you could make a living out of art. On the rare occasions you had a gallery show, and sold a little work, well, that was just gravy.

It's a funny relationship that makeup artists have. I always feel kind of like a dentist. People look at me and think of pain.

Umm... I don't judge my relationship with Puff or Bad Boy according to other people or past artists. At the end of the day, you are in charge of your career, and you can't depend on no man to do anything for you. I've learned to judge relationships with a person on myself and that person, not what they have done with previous people.

The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.

It could be that all awful dictators are frustrated artists - Mao with his poetry and Mussolini with his monuments. Stalin was once a journalistic hack, and I can personally testify to how frustrated they are. Pol Pot left a very edgy photo collection behind. And Osama seems quite interested in video.

We have a habit of turning to scientists when we want factual answers and artists when we want entertainment, but where are the facts about the nature of the self? Neurologists peering at PET scans and fMRIs know they aren't seeing the soul in there.

The industry has changed in that it is far more disposable than it used to be. When Boyzone came out, we were given a shot and the patience to record our singles and albums. Nowadays, the thought is if it is not working, then the artist will be dropped. The record companies will bail on the artists, and I find that sad.

I am a terrible chef; I'm not a good cook. I don't have the talent, the patience, the desire even to cook the way these great artists that I meet around the world cook, and I'm very, very happy to support them. I invest in restaurants because I love them so much.

It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.

The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.

There's this thing called compulsory licensing law that allows artists through the record companies to take your music at will without your permission.

But with rap music - not just N.W.A. - but rap music in general, seeing these artists wearing these team logos all the time started bringing a synergy and energy about having to rep your city, your team, everywhere and all the time.

I think the artists are really the face of the music they make. It's no longer the genre that dictates it.

There are people out there who are into traditional country music and for those people you have artists like Brad Paisley and Josh Turner and Alan Jackson. Then you have artists with a progressive style of country music, like myself and Eric Church and Luke Bryan and Miranda Lambert.

When I think of artists I love, like J. Cole, it's the storytelling that grabs me. I want to be honest with my music.

A lot of music influences me in other ways than this, but I've always taken a lot of influence from Stevie Wonder, Frank Ocean, and Jeff Rosenstock for the Rex music. They were also the first three artists that released albums where I enjoyed every song.

I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.

I am really proud that I am one of the artists that has the opportunity to be on magazine covers and to be in the movies.

Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.

I think people like to see the lives of artists that are legends. They always go through the dark periods and I think just as humans we like to see that and them coming out of it. I love those kinds of movies.

Apple has the radio stations, so I go R&B in the morning, and then I'll go with some hip-hop before the game. But after the game, it's more meditation music. It's not artists; it's more whatever is being played.