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The frivolity and boredom which unsettle the established order, the vague foreboding of something unknown, these are the heralds of approaching change. The gradual crumbling that left unaltered the face of the whole is cut short by a sunburst which, in one flash, illuminates the features of the new world.
The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That's the only lasting thing you can create.
If you suddenly and unexpectedly feel joy, don't hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that's often the case. Anyway, whatever it is, don't be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)
"I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I really have to dance more often and so I travel around. If I don't I will crumble.
What I like about sceptics is that in good science you need critics that make you think: 'Crumbs have I made a mistake here?' If you don't have that continuously you really are up the creek. The good sceptics have done a good service but some of the mad ones I think have not done anyone any favours.
When theology erodes and organization crumbles when the institutional framework of religion begins to break up the search for a direct experience which people can feel to be religious facilitates the rise of cults.
We need to recognise that the whole edifice of our fifth estate of our journalism has been built on a foundation of newspaper journalism and that that foundation is crumbling. The management of the media companies will deny that the end is nigh. I hope they are right.
If you build that foundation both the moral and the ethical foundation as well as the business foundation and the experience foundation then the building won't crumble.
Doesn't all experience crumble in the end to mere literary material?
As you watch the world crumble try taking your Armageddon with this sprinkling of irony: Over the last three decades business has got virtually everything it wanted and its doomsday scenario from the 1970s has come true because of it.
What we call wisdom is the result of all the wisdom of past ages. Our best institutions are like young trees growing upon the roots of the old trunks that have crumbled away.
'Untitled' is a time machine that can transport you to 1992 an edgy moment when the art world was crumbling money was scarce and artists like Tiravanija were in the nascent stages of combining Happenings performance art John Cage Joseph Beuys and the do-it-yourself ethos of punk. Meanwhile a new art world was coming into being.
I believe it is essential for our planetary future to develop tools that can change the consciousness which has created the crisis that we are in.
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