My favorite literature to read is fairly dry history. I like the framework, and my imagination can do the rest.

Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.

I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.

The Jewish festival of freedom is the oldest continuously observed religious ritual in the world. Across the centuries, Passover has never lost its power to inspire the imagination of successive generations of Jews with its annually re-enacted drama of slavery and liberation.

I guess something that I've noticed from American acts who had success in touring is more of an explanation as to their music. Which is I think quite funny. I think British acts might like to leave more to the imagination - maybe a bit more obscure perhaps - a bit more shy.

With the world as it now presents itself, there is something perverse, and probably dysfunctional, about a person who stays in the same house for 40 years. What about the expanding family syndrome, the school-lottery migration, the property portfolio neurosis? Have you no imagination?

I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.

Every day the eye is subject to a thousand tiny shocks as a thousand industries compete for the eye-kick, the visual hook that will lock the consumer into product for that crucial second where the tiny - or not so tiny - leap of the imagination is made.

I mean, it's fine when you're a kid and someone runs into the playground and goes, 'I've got this great game of pretend,' and you play... As an actor, getting to play, getting to use your imagination and be childish - it is weird but it's wonderful.

I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.

Our fears are an amazing gift of the imagination... a way of glimpsing what might be the future when there's still time to influence how that future will play out.

Ultimately, so much Dr. Seuss is about empowerment. He invites us to disappear into our imagination and then blows the doors off what that can mean.

It would be too frightening for me to consider myself a role model. But I like the idea of not being afraid of letting your imagination rule you, to feel the freedom of expression, to let creativity be your overwhelming drive rather than other things.

I didn't have the equipment for the regular world of being a lawyer. I didn't have the imagination for that. I did have a funny kind of ambition, but I didn't know where to put it.

We can live with lots of things, but we can't live without imagination, we can't live without hope.

I've never taken any issue off the table for lack of suitability. Only for lack of imagination.

As a bookish child in Calcutta, I used to thrill to the adventures of bad girls whose pursuit of happiness swept them outside the bounds of social decency. Tess of the d'Urbervilles, Emma Bovary and Anna Karenina lived large in my imagination. The naughty girls of Hollywood films flirted and knew how to drive.

It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.

Clearly, some creative thinking is badly needed if humans are to have a future beyond Earth. Returning to the Moon may be worthy and attainable, but it fails to capture the public's imagination. What does get people excited is the prospect of a mission to Mars.

Our imaginations are strong as children. Sometimes they get shoved aside, these imaginations. They get dusty and mildewed with age. The imagination is a muscle that has to be put to use or it shrivels.

Well, I'm not a method actress by any stretch of the imagination so the best thing that I can do is be as real as possible and find whatever commonality in that character that I can see myself.

You can have 10 bucks to 10 million bucks and if you got a crew, imagination and a lot of people willing to turn in some work next to nothing, you going to have a feature. But you can't get beyond how expensive marketing the movie is, it's so crushing.

There's just so many great stories in the past that you can know a little bit about, but you can't know it all, and that's where imagination can work.