I never paint dreams or nightmares. I paint my own reality.

I am fussy, about my diet and straining my voice. I know, sounds a bit over the top. But I'm not as bad as I used to be. These days I don't drink alcohol for five days before a show - very dehydrating for the vocal cords, and all that acid reflux. I used to ban it for a fortnight. Nightmare.

My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.

I can't even explain to you how terrible that feels, that I equate dating a woman with punishment, shame, guilt, disappointment, reproach, reprimand, persecution. It's a nightmare.

I hate being the heartbreaker. Hate it. If I date somebody and it doesn't work out, it's another nightmare for me.

I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.

Computers are scary. They're nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.

Everyone should see 'A Nightmare Before Christmas,' hear 'London Calling,' and read 'Great Expectations.'

I'm a huge 'Nightmare before Christmas' fan, but that was also Henry Selick. I'm a really big fan of 'Sleepy Hollow.' I love 'Big Fish,' too, which is a bit different. There's a really cool era of early-Burton stuff like 'Ed Wood' that I'm a big fan of.

I'm not a fan of musicals at all, but I do think 'The Nightmare Before Christmas' is a very good. I always thought 'Walk the Line' was very good, too. I was in 'Nowhere Boy.' I played Paul McCartney. That was kind of musical - we did songs in that.

I used to have nightmares when I was a little kid that I woke up prematurely and opened all the Christmas presents. And then I would be so relieved when I woke up and I realized that I hadn't done it.

'The Nightmare Before Christmas' is my number one biggest influence artistically in every way.

Working on 'Nightmare Before Christmas,' I had endless arguments, like the studio saying, 'You can't have a main character that's got no eyeballs!' 'How is anybody going to feel for somebody with just eyesockets?' You know? So, it's those kind of things that really wear you down.

The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam.

I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless.

Bosnia is under my skin. It's the place you cannot leave behind. I was obsessed by the nightmare of it all; there was this sense of guilt, and an anger that has become something much deeper over these last years.

Above her lateral line she was blacker than night; below she was a metallic silver. Her physically perfect body represented both the heaven and hell she possessed. She had the lustrous lines of a young mistress and brought all the trouble that accompanies one in her devious black eyes. She teased us by exposing herself from the depths but refused to surrender to our desires. Dreams and nightmares live in close proximity when marlin fishing.

Giving up the person you truly love is not the same as forgetting a nightmare.

Life on the run was filled with dreams, some at night during sleep, real dreams, and some when the mind was awake but drifting. Most were terrifying, the nightmares of the shadows growing bolder and larger. Others were pleasant wishes of a rosy future, free of the past. These were rare, Patrick had learned. Life on the run was life in the past. There was no closure

You carry/All the ingredients/To turn your life into a nightmare--/Don't mix them!

Which is the true nightmare, the horrific dream that you have in your sleep or the dissatisfied reality that awaits you when you awake?

"Our reality is getting funnier and funnier, comical nightmare of black humor, and funny and scary, shock humor. The comical, dreamlike paradoxes of egoism are becoming more and more.

History, Stephen said, is a nightmare from which I am trying to awake.

I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?