We carry around computers in our pockets. Many people barely use them as phones. We use them as computers. If you think about the future, when you're traveling around, it's great to have a lightweight, small form factor.

Ignorance breeds antipathy. Until I got to know how computers worked, I didn't want anything to do with them. I said, 'Well, why do I need them? I write letters.' Which I still do.

If you write a blog post, you've got something to say; you're not just creating words and synonyms. We'd like the computers to actually pick up on that semantic meaning.

A lot of journalists like to suck up to celebrities, and then as soon as they're a safe distance away at their computers, they take shots. But that's the way society has become, especially in pop culture.

I favor pocket-sized hard drives that travel between home and office, syncing with computers on both ends.

Pixar is not about computers, it's about people.

I realized that I loved using computers to create something, but being an architect just wasn't going to keep me interested. The idea of a life spent obsessing over bathroom details for an Upper East Side penthouse was pretty depressing.

There's so much free material on the Internet you can learn from, and some people are pure self-starters: they pick up computers and teach themselves everything. Certainly there are millions of people like that. But at the same time, I think it's a pretty small percentage of the population.

I thought of computers as very low class. I thought of myself as a pure mathematician and was interested in partial differential equations and topology and things like that.

I think our problems are inherently unsolvable. We need to change our genetic make-up or create computers that will think us out of it. I don't think humans are able to deal with what we have.

Computers have cut-and-paste functions. So does right-wing historical memory.

People don't understand computers. Computers are magical boxes that do things. People believe what computers tell them.

Today, computers help us making the music. It's really a tool.

I'd like to think life has improved since 1850, despite the long hours we all seem to spend slaving over hot computers, but the psychological journeys remain the same - the search for love, identity, a meaningful place in the world.

I detest computers. If you had a device like that 30 years ago that froze up constantly, misbehaved constantly, lost your information and screwed up when you needed it the most, it would have been laughable.

Google is about information and computers and making things really fast. Facebook is about the sharing and connections. These missions give these companies direction and motivation.

People are on their computers more than watching TV, because you can only watch voyeur TV, which is basically what reality shows are, for so long.

It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.

I don't think 'Sugar Man' is a music doc any more than 'The Social Network' is about computers. It just happens to have the best soundtrack ever.

Science fiction has done a really good job of scaring us into thinking that computers shouldn't get too smart, because as soon as they get really smart, they're going to take over the world and kill us, or something like that. But why would they do that?

We've got to be delivering young people, and people that are getting reeducated, people who are getting reemployed, into the marketplace with skills to work together, to understand computers, and to be able to be a part of that 21st century economy.

Personal computers were created by some teenagers in garages because the, the wisdom of the computer industry was that people didn't want these little toys on their desk.

I'm looking to evolve the concept of the new renaissance artist, taking the world by storm through the art of public display and demonstration, with technical savvy, using cell phones and computers.

Art shows us that human beings still matter in a world where money talks the loudest, where computers know everything about us, and where robots fabricate our next meal and also our ride there.