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I would rather have 30 minutes of wonderful than a lifetime of nothing special.
The meaning I picked, the one that changed my life: Overcome fear, behold wonder.
Remember that not getting what you want is sometimes a wonderful stroke of luck.
I'm afraid I'm an incorrigible life-lover, life-wonderer, and adventurer.
Reading, for me, is like this: consumptive, pleasing, calming, as much as edifying. It's how I feel after a good dinner. That's why I do it so often: It feels wonderful. The book is mind and I insert myself into it, cover it entire, ear my way through every last slash and dot. That's something you can do with a book, unlike television or movies or the Internet. You can eat it, or mark it, like a dog does on a hydrant.
It's a bizarre but wonderful feeling, to arrive dead center of a target you didn't even know you were aiming for.
Forgiveness. The ability to forgive oneself. Stop here for a few breaths and think about this because it is the key to making art, and very possibly the key to finding any semblance of happiness in life. Every time I have set out to translate the book (or story, or hopelessly long essay) that exists in such brilliant detail on the big screen of my limbic system onto a piece of paper (which, let's face it, was once a towering tree crowned with leaves and a home to birds). I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.
Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do.
One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper. (And if you ever think otherwise, then you've turned into an arrogant self-satisfied prat, and should look for another job or another avocation or another weekend activity.) So you have to learn to live with the fact that you're never going to write well enough. Of course that's what keeps you trying -- trying as hard as you can -- which is a good thing.
In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me.
"The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny; whose attitude is:
"Writing novels is much the same. You gather up bones and make your gate, but no matter how wonderful the gate might be, that alone doesn't make it a living breathing novel. A story is not something of this world. A real story requires a kind of magical baptism to link the world on this side with the world on the
I stand in the mist and cry, thinking of myself standing in the mist and crying, and wondering if I will ever be able to use this experience in a book.
A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.
Both talent and trials are Life's ways of making us who we must be. When going through a complex, inscrutable, challenge, don't we often lament that we are being unfairly tested by Life? Don't we wonder why we have to go through sh*t, despite being talented, intelligent and ethical? You see, talent is what we are endowed with. And our trials are non-negotiable. They are what we are meant to ? and must ? go through. So, accept what is and flow with Life?
"I still remember the time I spent wondering what am I doing wrong? What am I doing right? Why should I worry about what I have done or what I am doing?
The thing about a wedding is: you don't remember the vows. You forget them the second after your mouth utters the sacred words, because your brain needs the room to catalog every detail of your partner's face. All of my concentration is on him. Everything is wonderful. Every day is the same. Every day is like our wedding day.
I had a lot of losing in my life lately, but this would be a loss that I just couldn't bear. The world is full of women-I had a chance to survive that. But a fish of this caliber was truly something special. I have seen a lot of women in my life, and none of them have ever had me yelling at the top of my lungs in excitement at first glance. Wonder women are rare, wonder fish are twice as rare. This fact was not lost on me.
When a man's dreams live past the horizon of the sea, his soul dies a little each day he spends upon land and each mile he moves farther inland until ultimately one day he is nothing but a shell, empty and dead inside. Like a shell, you can hear the sound of the ocean if you hold it close enough to your ear and truly listen. In the sound of the ocean, you can find a man's purpose and in his purpose you will find the meaning of his life. If you love this man, you'll bring him back to the sea and set him free. If you greedily wish to showcase this man like a trophy on your windowsill, he may shine for you at times. Perhaps even your friends will comment how wonderful he is, but trust that a storm is brewing within. Each one of his stares into the distance is foretelling of a voyage of freedom to come. When this storm ultimately hits, it will take all that you have to survive and more likely than not, you'll be separated in its gales.
De mens gaat ten onder aan het waanidee onmisbaar te zijn. Moeder aarde zal een zucht van verlichting slaken als de mens zichzelf heeft opgeheven.
We take the road we take. Then we make the best of it. There's no gain in wondering where the path not taken would have led." - Nikos, Pg. 33
We created a coterie of lunatics. All supporting one another. It felt good and meaningful. But you see, having such friends is both a blessing and a curse. While it is good as a support system, we are prone to inductive effects. Ever seen people yawning one after another? We automatically mimic what the other person is doing. It's like the transference of an electric charge. No wonder why people say, 'stay away from negative people.
Visualization is a wonderful process of manifestation.
Our working hypothesis is that the status of knowledge is altered as societies enter what is known as the postindustrial age and cultures enter what is known as the postmodern age.
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