History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images.

As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.

All great artists draw from the same resource: the human heart, which tells us that we are all more alike than we are unalike.

I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit.

Good artists copy, great artists steal.

I hope and believe we are paving a better future for female artists to come.

A people do not throw their geniuses away. And if they are thrown away, it is our duty as artists and as witnesses for the future to collect them again for the sake of our children and, if necessary, bone by bone.

Working with Yachty was so fun! I love that man so much! He's one of my favorite artists, but he's also my favorite person. He's so bubbly! He's just so funny.

When you think back in history about producers and artists or writers who've had good synergy, a lot of times they date, or they're married, or there's a friendship and a kinship.

I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail, while there are younger readers for whom what they write is pure oxygen.

I work hard. I focus on myself and putting food on my dinner table before anything else. I don't worry about other artists. Worrying about the next person in a negative way is the wrong way to be.

I do a one-hour workout called Drenched, a cardio-boxing fitness routine, Monday through Friday. There are usually between twenty-five and fifty people there - everyone from stay-at-home moms and professional martial artists to teenagers and seniors. They play great dance music. When I can, I take two classes back-to-back.

Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance.

Art is like a stock with a decent return for people in finance, and they get to feel like they are involved with culture, spend time with artists, as part of their dividend.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.

I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.

Know the names of past and current artists who are most famous for playing their instruments.

When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?

My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I'm very lucky in a way because I grew up in a family of artists. I've been dancing since I was a little kid.

Circus is what real life should be like. It's sincerity, feeling, emotions. All real. There are no lies in circus. There are artists working together to give a smile. It's a world where people help one another. It's the only show where a family, everyone from children to their grandmothers, can sit together and all be entertained by the same thing.

It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.

I firmly believe that all human beings have access to extraordinary energies and powers. Judging from accounts of mystical experience, heightened creativity, or exceptional performance by athletes and artists, we harbor a greater life than we know.

We need to be able to guarantee the safety of all artists and activists for human rights so that it no longer takes extraordinary courage to call for a better world - so that every person with the ability to imagine peace, equality, progress, and justice can express their dreams and hopes without fear.