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My father's family were Italian ice cream men, and the knowledge was passed on, so I ran an ice cream van while I was dating my wife.
Meeting Marta, who she is as a person, and hanging out with her, seeing her watch my fight, screaming and cheering for me, being proud of me the same way I am proud of her, that's priceless. It was really cool. I never imagined that.
I was never considered cool throughout my teens: a very important time to be accepted by someone, especially your peers. Yes, I had all the screaming women, but the guys hated my guts.
My poor children have been the subject of all of my experiments. We're still doing what I call 'Amish summers' where I turn off all electronics and pack away all their computers and stuff and watch them scream for a while until they settle down into, like, an electronic-free summer.
The most classic French dessert around the holidays is the Christmas log, with butter cream. Two flavors. Chocolate and coconut. My first job in the kitchen when I was a boy was to make these Christmas logs.
Everything I've been thinking, every vision, even down to every shot I throw, it just ends up here in reality. Whether it was in a fight and how to react or whether it was in a stadium with screaming fans or whether I was in a fancy car or the best clothes ever, I always put myself somewhere.
I would walk down the street and people would scream from their cars at me and, generally, I'd turn around and it's a 13-year-old girl. And it's funny because that is the audience that I think big studios are always trying to target.
I grew up going to bakeries in Tel Aviv; that's where we got our birthday cakes, they were always European baking and butter creams. We have such good baking in Israel, and we have the Diaspora of Jews from all over, and we learned early on to adapt and absorb flavors from all over.
When I was a kid, for my birthday every year, my mother made me pasta bechamel, which is rigatoni with a white cream sauce.
I worked at an ice cream parlor called Chadwicks. We wore old-timey outfits and had to bang a drum, play a kazoo, and sing 'Happy Birthday' to people while giving them free birthday sundaes. Lots of ice cream scooping and $1 tips.
If I'm about to forget my kid's birthday, I want the phone to scream at me until I do something about it.
The best things and best people rise out of their separateness; I'm against a homogenized society because I want the cream to rise.
My greatest beauty secret is being happy with myself. I don't use special creams or treatments - I'll use a little bit of everything. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look is to do with how you feel about yourself and your life. Happiness is the greatest beauty secret.
Cosmetics makers have always sold 'hope in a jar' - creams and potions that promise youth, beauty, sex appeal, and even love for the women who use them.
I would never like to endorse a fairness cream. I believe in natural beauty.
Like the Earth, the Web is a less appealing place than it used to be. If I want attitude and arguing and meanness and profanity and wrong information screamed at me as gospel, I'll get in a time machine and spend Christmas with my family in 1977.
There must be something solemn, serious, and tender about any attitude which we denominate religious. If glad, it must not grin or snicker; if sad, it must not scream or curse.
The work of art is a scream of freedom.
Emotion is a full range of a spectrum, like colours. It's not just anger. How are you going to get that out with just a guitar and screaming? You need to explore everything else.
There's definitely ways to get your anger out and not have to yell and kick and scream and fight people. That's not my jam. That's never how I've been.
I'm not a screamer. I'm confrontational, but I don't think that translates into anger.
It isn't enough just to scream at the Occupy Wall Street demonstrations. We need our political system to start reflect this anger back into, 'How do we fix it? How do we get the economy going again?'
My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.
'Defenders' seems to have a really gritty, hard, uncomplicated vibe about it. Somehow, we made everything sound stronger and more precise than on 'Screaming Vengeance' through Tom Allom's amazing mixing skills.
Acting allows me the freedom to let go to be in the moment to be spontaneous. I no longer have the fear of losing of failure.
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