In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.

Imagination is not the exclusive appanage of artists, but belongs in varying degrees to all men.

It's what still excites me most about acting: letting your imagination go places it's never been before. There's nothing better than that.

So much of what we do as artists is a combination of personal experience and imagination, and how that all creeps into your work is not so linear.

The way that a handful of corporations in Los Angeles dictate how our stories are told creates a real poverty of imagination and it's a big problem.

What I really have in my head, my imagination, my understanding of music, I never really get that out.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

Further, for once, I like the idea that people who think I'm a constant voice for the furthering of the imagination have to see that interest in a more materialistic fashion.

Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.

You'd have to have one hell of an imagination to completely make up a story, but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies; we do.

It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today.

When we had to do book reports, I would pick a book that no one read and just make it up and turn that in. I got praised for my imagination.

Nowadays people's visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.

Another side to me is this very sexual being. When I look back on my life, it's always been there. It's been there since I was 10 years old, having the imagination that I had.

If my accent betrayed my foreign birth, it also stamped me as an enemy, in the imagination of the producers.

There's no environment. Use your imagination. There's no fourth wall, whether it's the first time you've told this story about her life, or the sixth time.

I have been afraid all my life that I am going to die. All my life it has been stuffed in my imagination.

President Reagan was a leader at a time when the American people most needed leadership. He outlined a vision that captured the imagination of the free world, a vision that toppled the Communist empire and freed countless millions.

The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.

In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

We forget that what matters begins with the imagination.

I am an actor and I live in the world of pretend in my working capacity. I live in the world of my imagination.

They are imaginary characters. But perhaps not solely the products of my imagination, since there are some aspects of the characters that relate to my own experience of a wide variety of people.

Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!