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Anders Thomas Jensen and I had talked about making a movie which addressed the cancer issue, and we didn't want to make it heavy-handed. We wanted to do something which had a lot of hope in it. And then for some reason we came up with a romantic comedy.
I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'
'Love Letter' reminds me of 'Chocolate Factory' and 'Happy People.' It's a little bit of both of those, yeah. I just wanted it to be classy, man. And romantic. And maybe 10 percent sexy.
I always wanted to be a teacher. I went to school to be a teacher. And I've always, you know, had this sort of romantic idea about it. But I'm worried about - I'm worried about education.
With 'Attachments,' my goal was to write a really good romantic comedy. I wanted the reader to be smiling throughout.
I loved it. I just thought I wanted to stay in college forever. I came to New York all by myself; I didn't have any friends there. But it was fine. I felt comfortable. I started thinking, 'Maybe graduate school?' I was really cool with people who were smart, who knew stuff. It's very romantic and stimulating.
I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. 'Enough Said' had that stuff, but I wanted it to be fun and funny while also grounded in reality.
I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.
I've done five films directed by women. I did like it. They had qualities, particularly in the romantic tenderness of scenes. I felt sometimes they were a little bit soft, but maybe they were clever to get the guys working the way they wanted them to.
When I was younger, I wasn't really sure what I wanted to do, but I told a lot of lies in school. I told my friends once that I was playing John Travolta's daughter in a movie. I also told people that I had this romantic affair with Jonathan Taylor Thomas over a summer.
Fall 2013 was inspired by the 1970s equestrian lifestyle. I wanted to incorporate the moody and romantic - intricate baroque detailing and classic menswear elements - with something tougher and edgier in a nod to London's rock n' roll underground.
No, actually 'The Host' was totally a palate-cleanser for me. I wanted to do something a little bit different than romantic love. Romantic love is in there, obviously, because I enjoy writing about that and living it a lot.
I've been married before, but I've never had my dream wedding in Vegas. I wanted to do it there because it's casual, quick, not religious and, most of all, very romantic.
I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
All I ever wanted was to be a sexy bride, and actually, I think I've turned into a romantic bride.
My music came right on time. It was romantic Mediterranean music addressed to all the people who wanted to go on holiday.
With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.
I got a degree in sociology, didn't read much fiction in college, and I was a pretty political, left-wing type of guy. I wanted to do some kind of work in social change and make things better for the poor man, and I was very romantic and passionate about it.
I've always really been a romantic at heart, and I have always wanted kids, and I think the idea of sharing your life with the right person is amazing, actually.
I wanted to show everyone that I can be... romantic one day. I can be sexy the other day. I can be crazy. I can be serious. I can be boss. I can be feminist, and I still don't lose my way to be, you know?
The first book I wrote was The Bride Price which was a romantic book, but my husband burnt the book when he saw it. I was the typical African woman, I'd done this privately, I wanted him to look at it, approve it and he said he wouldn't read it.
Theatre was an art form that I didn't really respect, and because I wanted to shake it up and do different things on stage, I was able to combine all the things I'd learnt through writing on my own.
It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.
When you're playing a romantic version of a real person you're playing a version of the truth.
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