I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.

Change means movement. Movement means friction. Only in the frictionless vacuum of a nonexistent abstract world can movement or change occur without that abrasive friction of conflict.

When you depersonalize abrasive behavior and see it as a call for help you become a catalyst for the best kind of change.

In the beginning New York and I had kind of a love-hate relationship. It seemed so abrasive compared to Europe. But the transformation here in recent years is really something. I don't think I would have seen as much change if I'd lived in any other city in the world.

I often begin movies with music in my head it's a very important dimension to me. Not just the music itself but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories and I like the abrasive clang the contrasting of sounds and cultures.

I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then y'know that's great. But I hope it involves an audience.

Change means movement. Movement means friction. Only in the frictionless vacuum of a nonexistent abstract world can movement or change occur without that abrasive friction of conflict.