The show is '12 Monkeys,' and I'm playing the role that Bruce Willis played in the original film '12 Monkeys.' It is a show about time travel. My character is from a future post-apocalypse, and he has been given a mission to go back in time to essentially set things right and stop the apocalypse. No big deal.

I've begun to look at the world through apocalypse eyes. Our society, which seems so sturdily built out of concrete and custom, is just a temporary resting place, a hotel our civilization checked into a couple hundred years ago and must one day check out of.

Elon Musk is worried about AI apocalypse, but I am worried about people losing their jobs. The society will have to adapt to a situation where people learn throughout their lives depending on the skills needed in the marketplace.

Historically, Vietnam movies have been profitable. All of them. 'Platoon,' 'Full Metal Jacket,' 'Apocalypse Now,' 'The Deer Hunter.' You're looking at movies that have been not pretty successful, but very successful. The foreign numbers have been extraordinary.

I have a zombie apocalypse kit at my house. I've got freeze dried food, I've got a real deal medical kit, like, a doctor could perform a surgery with this medical kit. I got all kinds of everything.

In a zombie apocalypse movie, nobody's ever seen a zombie movie. Or in an alien invasion movie, nobody has ever seen an alien invasion movie, like 'Independence Day.'

Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.

With EarthEcho Expedition: Acid Apocalypse, we are working with youth leaders and noted experts on the changing chemistry of our ocean to help illuminate one of our most pressing and inscrutable environmental issues.

I'd like to avoid the environmental apocalypse if I could. Zombies, robots - I don't know - I'd probably do alright hidden in the middle of the herd and sacrificing people to keep myself alive, but where you gonna hide when all the food is gone?

Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.

It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.

This is the strange thing about life, when people are confronted, they all say that the truth is what they want but when the truth disagrees with them, they balk at it as if it were an unwanted zombie apocalypse that only wants to destroy civilization.

One of the most amazing and perplexing features of mainstream Christianity is that seminarians who learn the historical-critical method in their Bible classes appear to forget all about it when it comes time for them to be pastors. They are taught critical approaches to Scripture, they learn about the discrepancies and contradictions, they discover all sorts of historical errors and mistakes, they come to realize that it is difficult to know whether Moses existed or what Jesus actually said and did, they find that there are other books that were at one time considered canonical but that ultimately did not become part of Scripture (for example, other Gospels and Apocalypses), they come to recognize that a good number of the books of the Bible are pseudonymous (for example, written in the name of an apostle by someone else), that in fact we don't have the original copies of any of the biblical books but only copies made centuries later, all of which have been altered. They learn all of this, and yet when they enter church ministry they appear to put it back on the shelf. For reasons I will explore in the conclusion, pastors are, as a rule, reluctant to teach what they learned about the Bible in seminary.

Apocalypse is a frame of mind." [Nicodemus] said then. "A belief. A surrender to inevitability. It is a despair for the future. It is the death of hope.

If you want to write a fantasy story with Norse Gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.

Coming Home had been made before and Apocalypse Now and Deer Hunter different kinds of movies.

Don't get me wrong magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly it's more dramatic than any apocalypse or goblin army could ever be.

Dad almost died of a heart attack in the middle of making Apocalypse Now the biggest movie of his life. It doesn't make you want to jump into that business.