All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.

My first book was called, 'Mountain, Get Out of My Way,' where I did an autobiographical sketch, if you will, looking back at myself and looking back at things in my life, and juxtaposing them against things that are happening in other people's lives and trying to be motivational.

I think of myself as a fairly logical, scientific and somewhat reserved person. Maura Isles, the Boston medical examiner who appears in five of my books, is me. Almost everything I use in describing her, from her taste in wine to her biographical data, is taken from my own family. Except I don't have a serial killer as a mother!

People who think my books are autobiographical, which they're not, credit me with having a much better memory than I do. I do, however, have a powerful imagination.

A great danger, or at least a great temptation, for many writers is to become too autobiographical in their approach to their fiction. A little autobiography and a lot of imagination are best.

There is something sinister, something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance, melancholy. There's a sadness to it, but there's romance in sadness. I suppose I am a very melancholy person.

Friends and family do not believe you write fiction. They truly believe that every word you write is either autobiographical or based on them. I once had a character say that she never wanted to be invited to another children's birthday party, and I never received another children's birthday party invitation ever again.

All art is autobiographical; the pearl is the oyster's autobiography.

All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel....Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay.

. . . All artists' work is autobiographical. Any writer's work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them.

There certainly is no secret in that there are plenty of people who don't like plenty of my movies. Each one of my films is personal each one of my films is emotionally autobiographical. And I like directors who do that. With each one of my films I'm exploring one of my own issues and I try to expose myself a little in the film.

People who think my books are autobiographical which they're not credit me with having a much better memory than I do. I do however have a powerful imagination.

There is something sinister something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance melancholy. There's a sadness to it but there's romance in sadness. I suppose I am a very melancholy person.

All art is autobiographical. The pearl is the oyster's autobiography.