Consequently, the truth of God lives in our souls more by the power of superior moral courage than by the light of an eminent intelligence. Indeed, spiritual intelligence itself depends on the fortitude and patience with which we sacrifice ourselves for the truth, as it is communicated to our lives concretely in the providential will of God

In some ways I admire Aunt Helen's unwavering certainty in God's divine plan. It must be comforting, to have faith like that. To believe so concretely that there's someone-something-out there watching guard, keeping us safe, testing us only with what we can handle. I've never believed in anything the way Aunt Helen believes in God.

Philosophy, which once seemed outmoded, remains alive because the moment of its realization was missed. The summary judgement that it had merely interpreted the world is itself crippled by resignation before reality, and becomes a defeatism of reason after the transformation of the world failed. It guarantees no place from which theory as such could be concretely convicted of the anachronism, which then as now it is suspected of. Perhaps the interpretation which promised the transition did not suffice. The moment on which the critique of theory depended is not to be prolonged theoretically. Praxis, delayed for the foreseeable future, is no longer the court of appeals against self-satisfied speculation, but for the most part the pretext under which executives strangulate that critical thought as idle which a transforming praxis most needs. After philosophy broke with the promise that it would be one with reality or at least struck just before the hour of its production, it has been compelled to ruthlessly criticize itself.

"The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.

I don't know concretely if it's due to superstition but any time a new rule is implemented into the NBA or a new piece of equipment or a new technology there is always a transition and adjustment period by players and coaches and anyone involved with the game.

I firmly believe that the mission of religion in the 21st century must be to contribute concretely to the peaceful coexistence of humankind.