I published, privately, a collection of my serious poetry I had written over the years. I only published 50 copies, which I gave to friends, in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.

With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?

Someday I hope to write a book where the royalties will pay for the copies I give away.

History is a gallery of pictures in which there are few originals and many copies.

What's funny is that by the time everyone plays the game - you know, we finish it, and then it takes a long time to make copies and ship it and get on the shelves - we probably haven't worked on it for a month, two months. So, we've already taken our break, and then we're on to the next thing.

I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.

I buy a lot of cookbooks. Some of them you just kind of read, and you try one recipe, and it doesn't really work. So then you don't go back to it. The new Ina Garten cookbook, which is called 'Back to Basics,' I have not had a failure with. It is the most fantastic cookbook. I think I bought 20 copies of it for friends.

There is a difference between the stuff that people put online themselves, like pictures and their trips and flights and meals they've eaten, than the stuff that they don't realize is also going into foreign computers. Like, for example, copies of your emails or every single online search you ever do, 'cause all that is being recorded as well.

Computers are wasteful of paper and time. Once, we'd get documents with a few errors. Now, people make hundreds of copies until each sheet is flawless and memos are duplicated endlessly. Managers get swamped with emails.

If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they're happy.

One of the most amazing and perplexing features of mainstream Christianity is that seminarians who learn the historical-critical method in their Bible classes appear to forget all about it when it comes time for them to be pastors. They are taught critical approaches to Scripture, they learn about the discrepancies and contradictions, they discover all sorts of historical errors and mistakes, they come to realize that it is difficult to know whether Moses existed or what Jesus actually said and did, they find that there are other books that were at one time considered canonical but that ultimately did not become part of Scripture (for example, other Gospels and Apocalypses), they come to recognize that a good number of the books of the Bible are pseudonymous (for example, written in the name of an apostle by someone else), that in fact we don't have the original copies of any of the biblical books but only copies made centuries later, all of which have been altered. They learn all of this, and yet when they enter church ministry they appear to put it back on the shelf. For reasons I will explore in the conclusion, pastors are, as a rule, reluctant to teach what they learned about the Bible in seminary.

"Amy, Dan, and Nellie were sitting at a table in a conference room, examining reproductions of Franklin documents-some so rare, the librarians told her, the only copies existed in Paris.

Making duplicate copies and computer printouts of things no one wanted even one of in the first place is giving America a new sense of purpose.

I can't get a relationship to last longer than it takes to make copies of their tapes.

I never appreciated 'positive heroes' in literature. They are almost always cliches copies of copies until the model is exhausted. I prefer perplexity doubt uncertainty not just because it provides a more 'productive' literary raw material but because that is the way we humans really are.

I published privately a collection of my serious poetry I had written over the years. I only published 50 copies which I gave to friends in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.

Even in the former Soviet Union they have good copies of my movies.

I remember my mom had a big collection of copies of Saturday Evening Post magazines and that was really my introduction to those great illustrators.

Someday I hope to write a book where the royalties will pay for the copies I give away.

History is a gallery of pictures in which there are few originals and many copies.

I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.

But thankfully my first album 'Wide Screen ' was sort of a critics' darling - everyone raved about it but no one bought it. They only manufactured 10 000 copies I wasn't even in the running for failure!

I know that books I have written will still resonate in 50 years - particularly 'My Sister's Keeper.' It has sold three million copies in the States alone. I strongly feel that as a novelist you have a platform and the ability to change people's minds.