I chose to be a maths teacher because I thought the marking would be easy. You'd just tick and cross, whereas if you're an English teacher, you've got to read essays. Then they said I had to analyse the methodology. It takes an eternity, it's insane!

In all my work, in the movies I write, the lyrics, the poetry, the prose, the essays, I am saying that we may encounter many defeats - maybe it's imperative that we encounter the defeats - but we are much stronger than we appear to be and maybe much better than we allow ourselves to be. Human beings are more alike than unalike.

In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now.

I've always written. There's a journal which I kept from about 9 years old. The man who gave it to me lived across the street from the store and kept it when my grandmother's papers were destroyed. I'd written some essays. I loved poetry, still do. But I really, really loved it then.

I have more than 100 legal pads filled with handwriting. Eight novels, two books for children, countless stories and essays.

I didn't even walk for graduation - I did graduate, though. I got this homeschool deal. I didn't have to go to school because I was depressed, and my mom wrote all these essays for me. I didn't write one of them. She literally got me my diploma.

The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.

I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.

In my time, I've written some books & essays, and I've loved, and I love still.

I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity.

"We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice, the stain of lies. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better.

Still less, despite appearances, will it have been a collection of three "essays" whose itinerary it would be time, after the fact, to recognize; whose continuity and underlying laws could now be pointed out; indeed, whose overall concept or meaning could at last, with all the insistence required on such occasions, be squarely set forth. I will not feign, according to the code, either premeditation or improvisation. These texts are assembled otherwise; it is not my intention here to present them.

The necessity of reform mustn't be allowed to become a form of blackmail serving to limit, reduce, or halt the exercise of criticism. Under no circumstances should one pay attention to those who tell one: "Don't criticize, since you're not capable of carrying out a reform." That's ministerial cabinet talk. Critique doesn't have to be the premise of a deduction that concludes, "this, then, is what needs to be done." It should be an instrument for those for who fight, those who resist and refuse what is. Its use should be in processes of conflict and confrontation, essays in refusal. It doesn't have to lay down the law for the law. It isn't a stage in a programming. It is a challenge directed to what is.

I sort of was good at writing essays. I was never very good at mathematics and I was never very good at algebra. I loved science but I wasn't sure of it.

From lies to forgeries the step is not so long and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.

The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.

I think the pattern of my essays is A funny thing happened to me on my way through Finnegans Wake.

I've published one book before and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany about fitness.