Sports exact too harsh a toll on our beautiful women. Like engendered species, they should be protected, and instead, we exploit them and demand they fly too close to the sun for our amusement. We send them into the arena for an exhausting three-setter, an 18-hole playoff, a 200th lap. The burnout factor is insurmountable.

It was the experience of mystery - even if mixed with fear - that engendered religion.

I would love to design clothes. Bretman clothing would be a good reflection of my personality, with a super-extra, nonbinary, and non-gendered clothes that are made with quality sustainable fabrics.

Most critics of gender division are women, and they're worried about girls and the roles presented for them by gendered entertainments. They are quite right to be. Telling girls that the cars and the guns are beyond their domain of expertise, and that they should content themselves with clothes and friendships, is limiting.

Over the years, I've become barraged by comments from people, such as, 'Beam me up, Scotty!' and I became defensive. I felt they were derisive and engendered an attitude. I am grateful for the success, but didn't want to be mocked.

I've been strongly influenced, in technique as well as subject matter, by some of the early 20th-century book illustrators - Arthur Rackham and Edmund Dulac in particular, Burne-Jones and other Pre-Raphaelites, and the Arts-&-Crafts movement they engendered. I'm continually inspired by Rembrandt, Breughel (I've wondered whether his brilliant "Tower of Babel" had inspired Tolkien's description of Minas Tyrith), Hieronymous Bosch, Albrecht Durer, and Turner; it's not necessarily that they influence my work in any particular direction, more that their example raises my spirits, re-affirms my belief in the power of images to move and delight us, and shows me how much further I have to go, how much is possible. Having visited Venice and Florence for the first time, I am besotted with the Italian Renaissance artists - Botticelli, Bellini, da Vinci and others. Their work is calm, controlled, and yet each face and landscape contains such passion. In Botticelli's paintings, every pebble and every leaf is rendered with a religious devotion; there is reverence inherent in paying such close attention to every stone, turning painting itself into a form of worship, an act of prayer.

The ruinous abdication by philosophy of its rightful domain is the consequence of the oblivion of philosophers to a great insight first beheld clearly by Socrates and re-affirmed by Kant as by no other philosopher. Science, concerned solely and exclusively with objective existents, cannot give answers to questions about meanings and values. Only ideas engendered by the mind and to be found nowhere but in the mind (Socrates), only the pure transcendental forms supplied by reason (Kant), can secure the ideals and values and put us in touch with the realities that constitute our moral and spiritual life. Twenty-four centuries after Socrates, two centuries after Kant, we badly need to re-learn the lesson.

Sitting there on the heather, on our planetary grain, I shrank from the abysses that opened up on every side, and in the future. The silent darkness, the featureless unknown, were more dread than all the terrors that imagination had mustered. Peering, the mind could see nothing sure, nothing in all human experience to be grasped as certain, except uncertainty itself; nothing but obscurity gendered by a thick haze of theories. Man's science was a mere mist of numbers; his philosophy but a fog of words. His very perception of this rocky grain and all its wonders was but a shifting and a lying apparition. Even oneself, that seeming-central fact, was a mere phantom, so deceptive, that the most honest of men must question his own honesty, so insubstantial that he must even doubt his very existence.

It was the experience of mystery - even if mixed with fear - that engendered religion.