August used to be a sad month for me. As the days went on, the thought of school starting weighed heavily upon my young frame. That, coupled with the oppressive heat and humidity of my native Washington, D.C., only seemed to heighten the misery.

I had an upright - it took me years and years to get enough bread to get it. I'm from Florida, so one morning I woke up, go in the corner, and the bass is in a hundred pieces 'cause the humidity is so bad. I mean, the upright just blew up. I said, 'Forget it, man. I can't afford this anymore.'

I love the water. Everything about it. Smelling the humidity in the air, seeing the mist rise in the morning, feeling the dew-wet grass on my bare feet. I love watching the fish jump and the geese land. We even have an eagle here that circles every so often.

Our regular fitness programme means that the race lasting longer than others should not be a problem, but something you have to prepare for in Singapore is ensuring you always keep well-hydrated, as the heat and humidity can easily dehydrate you.

Where most of the country is, well, hot - from the bone-baking dry heat of the desert to the flesh-melting humidity of Kerala in the south - Kashmir is cool: so cool, in fact, that in the winter, the temperatures can sink to sub-zero.

"No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say - snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola - something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present.

I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page - but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches - which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models - usually friends - if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.