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Famous people come up to me, but I don't know who they are because my sight is so bad. It's always at the pool of the Four Seasons in Beverly Hills when I don't have my lenses in and my glasses are in my room.
When I was in film school I had this great professor, Jerzy Antczak, a Polish filmmaker, and Joe Russo of the Russo Brothers were in my class. It was this kind of Easter European philosophy of motivating camera only through character and motions, and just exploring with lenses. That was the best year of my education in my life.
It took years of psychotherapy before I even considered dating. I lost weight, replaced my glasses with contact lenses and felt a lot more confident. But I find it really hard to hold down a relationship.
Competence, like truth, beauty, and contact lenses, is in the eye of the beholder.
Your home should be your home. People shouldn't be allowed to use whatever crazy lenses they use to catch you waking up in the morning.
Famous people come up to me but I don't know who they are because my sight is so bad. It's always at the pool of the Four Seasons in Beverly Hills when I don't have my lenses in and my glasses are in my room.
To me eyewear goes way beyond being a prescription. It's like makeup. It's the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.
Competence like truth beauty and contact lenses is in the eye of the beholder.
Let us being again. To take some examples: why should "literature" still designate that which already breaks away from literature-away from what has always been conceived and signified under that name-or that which, not merely escaping literature, implacably destroys it? (Posed in these terms, the question would already be caught in the assurance of a certain fore-knowledge: can "what has always been conceived and signified under that name" be considered fundamentally homogeneous, univocal, or nonconflictual?) To take other examples: what historical and strategic function should henceforth be assigned to the quotation marks, whether visible or invisible, which transform this into a "book," or which still make the deconstruction of philosophy into a "philosophical discourse"?
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