The only concept or experience or core belief that I can attribute my other-ness to is that I just started out a weirdo and I stayed a weirdo. And it took me a long time to embrace my outsidership and see it as a strength rather than a weakness.

In period pieces or genre pieces, those have to be set in historical truths. But, science fiction has different game pieces. And with those game pieces come other stories we're not familiar with. So, science fiction teaches us how to relate to outsiders, to foreigners, and to not approach any of that with fear, but a genuine curiosity.

Skaters, I think they tend to be outsiders who seek a sense of belonging, but belonging on their own terms, and real respect is given by how much we take what other guys do, these basic tricks, 360 flips, we take that, we make it our own, and then we contribute back to the community the inner way that edifies the community itself.

The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story.

Placebo is music for outsiders, by outsiders and our gigs are like conventions of outcasts, which is cool.

Given the importance of Washington, outsiders probably have an unrealistic perspective on how large the city is. The fact is, Washington D.C. is a small town, and most everyone knows most everyone else. That person of the other party who you despise will someday be at your daughter's birthday party.

We have the ability to craft a life where we are completely fulfilled. We think it is dependent on outsiders, and to some extent it is, but it is much more dependent on the attitude we bring to life.

England pulled out from the European Union (EU) out of anger, as locals there were not getting jobs. They also have no work like Maharashtrian youth, as 'outsiders' had grabbed all the opportunities.

I want to be like Tom Cruise from 'The Outsiders' and go on and do amazing movies for a long time.

Institutionalized rejection of difference is an absolute necessity in a profit economy which needs outsiders as surplus people.

Writers as they gain success feel like outsiders because writers don't come together in real groups.

The only concept or experience or core belief that I can attribute my other-ness to is that I just started out a weirdo and I stayed a weirdo. And it took me a long time to embrace my outsidership and see it as a strength rather than a weakness.

I'm not an American but I have always had the outsiders' respect for the American people and the American way.

In God's family there are no outsiders no enemies.

Placebo is music for outsiders by outsiders and our gigs are like conventions of outcasts which is cool.

I want to be like Tom Cruise from 'The Outsiders' and go on and do amazing movies for a long time.

We're all outsiders in a way. We're all alone and can become very lonely.

I must try and break through the cliches about Latin America. Superpowers and other outsiders have fought over us for centuries in ways that have nothing to do with our problems. In reality we are all alone.