I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone.

If we perform the romantic repertoire we need more musicians.

I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.

I wrote 'The Room', 'The Birthday Party', and 'The Dumb Waiter' in 1957, I was acting all the time in a repertory company, doing all kinds of jobs, traveling to Bournemouth and Torquay and Birmingham.

Quem busca um momento de conforto, espero que encontre aqui nessas p?ginas. ? Aos amigos. N?o importa se est?o perto, longe, ou apenas dentro do cora??o

Vivi muito tempo no mundo das pessoas grandes. Vi-as de bem perto.N?o fiquei com muito melhor opini?o delas.

If we perform the romantic repertoire we need more musicians.

I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs near the film studios. This was the England I wanted to write about because this was the new world that was emerging.

When the truth is that there would be no great Western music and certainly no decent choral repertoire without the Catholic faith.