No, I don't believe in genius. I believe in freedom. I think anyone can do it. Anyone can be like Rembrandt.

You don't have to be Picasso or Rembrandt to create something. The fun of it, the joy of creating, is way high above anything else to do with the art form.

I had lived with my mother in anger and love - I suppose most daughters do - but my children only knew her in one way: As the lady who thought they were smarter than Albert Einstein. As the lady who thought they wrote better than William Shakespeare. As the lady who thought every picture they drew was a Rembrandt.

Rembrandt, your life isn't written in the past. Yes, your past makes you who you are, but when you get here, you have the choice of who you want to be. Your life is written in the right now. Your choices are the only thing you can control. You have to let go of the rest. And occasionally, ask for help.

I've been strongly influenced, in technique as well as subject matter, by some of the early 20th-century book illustrators - Arthur Rackham and Edmund Dulac in particular, Burne-Jones and other Pre-Raphaelites, and the Arts-&-Crafts movement they engendered. I'm continually inspired by Rembrandt, Breughel (I've wondered whether his brilliant "Tower of Babel" had inspired Tolkien's description of Minas Tyrith), Hieronymous Bosch, Albrecht Durer, and Turner; it's not necessarily that they influence my work in any particular direction, more that their example raises my spirits, re-affirms my belief in the power of images to move and delight us, and shows me how much further I have to go, how much is possible. Having visited Venice and Florence for the first time, I am besotted with the Italian Renaissance artists - Botticelli, Bellini, da Vinci and others. Their work is calm, controlled, and yet each face and landscape contains such passion. In Botticelli's paintings, every pebble and every leaf is rendered with a religious devotion; there is reverence inherent in paying such close attention to every stone, turning painting itself into a form of worship, an act of prayer.

One need not believe in Pallas Athena, the virgin Goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too.

The best history is but like the art of Rembrandt it casts a vivid light on certain selected causes on those which were best and greatest it leaves all the rest in shadow and unseen.

No I don't believe in genius. I believe in freedom. I think anyone can do it. Anyone can be like Rembrandt.