I just trust the director and never overanalyse the script, screenplay, etc. You are just taking a bet at the end of the day, so confidence, be it on the filmmaker or the script, is all that counts.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

I write the occasional poem. I think my dabbling in poetry makes me better at screenplays. Poetry teaches the value of condensing, the importance of talking in a few words.

'Deadpool' took seven years to get to the motion picture screen, and I use that as my measurement. That tested me and my patience more than anything I could've imagined because the screenplay was so good.

I would love to write a screenplay for 'Badlands' one day. I don't think I could ever have the patience to do it; I don't even have the patience to write songs. I write some of the shortest songs ever because I don't have the patience.

Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.

I'm married to a nurse, and she is really, really ardent that - in screenplays or movies that I've worked on, that all the medical aspects be properly presented. I think that filmmakers ought to be respectful of all fields and not just be lazy and put nonsense in movies because most people won't know the difference.

I've always had a foot in everything. As a kid, I was active in sports and theater. Now, I'm learning I have to focus a bit. I'm trying to get to next projects, like writing a screenplay. Once that comes together, I could put my mind to another book - maybe a fun kids' book.

Even Dopehri,' if somebody has a bit of imagination, the way it's written, they will be able to see that it's a screenplay with dialogues.

I wrote the screenplay for 'Water Lilies' while I was studying screenwriting at La Femis film school in Paris, and the director Xavier Beauvois, who was on the graduation committee, told me I had to make the film myself.

Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.

If there's a good screenplay, there's a chance that something good is going to happen. If you don't have a brilliant screenplay, then you either have amazing actors who give you the chance to improve whatever is on the page, or an interesting director who has enough faith in the project that they can carry it through and get it somewhere.

The way Nolan looks at things is just amazing. It can be easily seen in all his films. I was just watching his videos on how he came up with the screenplay of 'Memento,' and it's just extraordinary. It just opens up your mind.

I've never read a screenplay in advance. You trust the artist.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So for me I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want but it's also a question of working with patience and love.

For 'So Cold the River ' I'm actually working on adapting the book with Scott Silver who was just nominated for an Oscar for 'The Fighter ' and who also wrote '8 Mile ' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.

I love making movies and hope to write my own screenplay someday and do some producing and be behind-the-scenes as well.

The last person they expected to connect with a screenplay was the comedic blonde actress with the funny voice.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.

Screenplays I didn't really care about journalism travel books getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

You sell a screenplay like you sell a car. If someone drives it off a cliff that's it.

If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.