I would like to make a building as intellectually driven as it is sculptural and as positive as it would be acceptable to hope.

A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.

Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls digging a crater in Gavin Brown's gallery floor in 2007 creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness operatic uncontrollability and barbaric sculptural power.