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I can wear a sexy dress to any red carpet event. My wedding is my chance to go all the way and wear a princess silhouette.
Tina Turner is someone that I admire, because she made her strength feminine and sexy. Marilyn Monroe, because she was a curvy woman. I'm drawn to things that have the same kind of silhouettes as what she wore because our bodies are similar.
I'm just a normal person. It's not like I come home and think about opera. My thoughts are about completely other things. Shoes! Dresses! Expensive ones: with a pretty silhouette, beautiful fabrics.
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
Enhancing a woman's silhouette and enhancing a woman's beauty - both contribute to enhancing her confidence, so they're synonymous, really.
More than anything, I like a jacket. You can do anything with a great jacket, the bigger the better. You can have any silhouette underneath. It gives you an attitude. It makes a gown look cool.
It is then by those shadows of the hoary Past and their fantastic silhouettes on the external screen of every religion and philosophy that we can by checking them as we go along and comparing them trace out finally the body that produced them.
My idea in terms of managing a narrative or in thinking in my creative life is that you could easily argue that the past the present and the future all occur simultaneously and if you can postulate that then you're not strictly bound to a linear narrative.
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