Write out the story - rapidly, fluently, and not too critically - following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.

We can all turn authors of voluminous and fervent literature about life: FEARS, TEARS AND YEARS . The synopsis would be as good and as short as the title: THE BEST TEACHER

I can't just react on the strength of an email and three pages of synopsis and say I'm going to take off for three months of my life.