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I didn't learn much about writing at Sarah Lawrence, but I learned a lot about the sources of poems - dreams, myth, history - from the really great teachers, Joseph Campbell, Charles Trinkhaus, Bert Loewenberg, and a young Australian anthropologist named Harry Hawthorne.
I believe that if writers want their readers to care about a character, they have to care themselves. I have to root for a detective who screws up as much as Thorne does, who shares my birthday, my North London stomping ground, and my love of country music, both alt and cheesy.
"I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned.
"Cinder gaped at her stepmother, her own anger eclipsed with a surprising jolt of pity. This woman was full of so much ignorance it was almost like she wanted to stay that way. She saw what she wanted, believed anything to support her limited view of the world. (?)Five years she had lived with this woman, and never once had she seen Cinder as she was. As Kai saw her, and Thorne and Iko and all the people who trusted her. All the people who knew her.
People are very ready to criticize other people's accents. There's no correlation between accents and intelligence or accents and criminality, but people do make judgments.
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