I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.

Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.

What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book, I was not thinking about publishing, and yet at the same time I was casting it in my head. Because when I read books, I see them very visually.

The whole world, as we experience it visually, comes to us through the mystic realm of color.

'Revolutions' was beyond my wildest dreams. I just really enjoyed it so much visually, the action and then the story and the characters, the beauty of that. The love in the film really inspired me.

There's always so much more that can be conveyed on screen visually in the expressions of people's faces, in their bodies, in their body language. And also with sound design, with music.

I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.

Acting isn't for me. I don't like being told what to do. I'm more interested in set design, more visually driven.

I have a notebook, and I know what decisions will be made in pre-production. Everything is pre-determined in the pre-production period. I visually design the whole thing, and I know when things will happen.

I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives their creativity.

I go and see anything that's visually new any technology that's about picture-making. The technology won't make the pictures different but someone using it will.

But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen.

Cinema is visually powerful it is a complete experience reaches a different audience. It's something I really like. I like movies.

I've been drawing my whole life. My mom says my sister and I were drawing by age 1. Animation seems a real natural extension of drawing as a way of telling a story visually.

As children as we learn what things are we are slowly learning to dismiss them visually. As adults entirely submerged in words and concepts we spend almost all of our time thinking and worrying about the past and the future hardly ever looking at or engaging with the world visually.

The fact that books today are mostly a string of words makes it easier to forget the text. With the impact of the iPad and the future of the book being up for re-imagination I wonder whether we'll rediscover the importance of making texts richer visually.

What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book I was not thinking about publishing and yet at the same time I was casting it in my head. Because when I read books I see them very visually.

Acting isn't for me. I don't like being told what to do. I'm more interested in set design more visually driven.

I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.

When I was kid I remember playing 'Vogue' by Madonna over and over and over again. And ah you know something about the beat was really cool and Madonna visually was on TV all the time and I thought she was just so beautiful.

Knowing who the actors were as you were designing them helped with Catherine's beauty and Renee's frailty they directed me visually just by who they were.