I don't want to be one of those comics who says, 'Hey, what's wrong with air travel?' and stuff like that.

I kind of just write what I like to write. I'm thankful that readers of different ages seem to connect to my stories. I don't consciously think about age demographics when I'm working on my comics.

When I was a kid, there was this neighborhood beer and wine store that sold old comics for a nickel a piece. I'd load up on old books whenever we went on vacation. Yeah, I have a lot of fond memories of riding in the back of the ol' station wagon and reading 'Mystery in Space' and 'Strange Adventures' as we headed up to Torch Lake.

By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

I was 25 myself once. I also thought I knew everything. I also thought that I could give singers singing advice and comics comedy advice. When you're that age, you know it all, so I understand it. But when you're tired and you don't have patience for it, you definitely snap.

My father spent his entire early career as an illustrator for comic books: EC Comics like 'Tales from the Crypt' and 'Creepshow,' then moving on to such magazines as 'Mad' and 'Weird Science.'

This is a profession for me, but I started off as a self-publisher working on my own schedule and my own stuff before moving on to graphic novels with First Second Books, where there was definitely a schedule, but it was very different from monthly comics.

I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.

You know, duality has always been a strong theme throughout 'Venom'-focused stories, whether it's in the comics or in movies, and that's something I think that Tom Hardy's played with in a lot of his work.

I love all of the Marvel comics movies.

What other people are adapting from the comics medium, I watch with as much interest as I do any other movies. Because I'm a fan, and I want to see what other people are doing in the world.

For comics, Edinburgh makes no financial or medical sense. Get an audience; that's the first task. Once the punters are in, simply make them laugh for an hour, and then sweat on the critics.

So the Comic Book Legal Defense Fund is out there preserving and fighting for, and sometimes winning and sometimes losing, the fight for First Amendment rights in comics and, more generally, for freedom of speech.

I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

The comics that are just conversing with you up there and drawing on their own life, yeah, I guess so. I guess some do political humor, some do topical humor, but the ones that I like, the ones that are appealing to me, were guys who were just talking to you about their life.

Stand-up comics reflect less of a visual humor and more of a commentary.

We are, in the comics, the last frontier of good, wholesome family humor and entertainment.

I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'

The misconception is that standup comics are always on. I don't know any really funny comics that are annoying and constantly trying to be funny all the time.

Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.

People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.

I grew up reading '2000 AD' and the occasional Transformers and GI Joe comic, but when I could finance comics myself, I lasted only a little reading superheroes.