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There are many wonderful themes from 'Moana' that people discover, and I also hope they're inspired to go on their own journeys and to learn more about the Polynesian culture, because we're pretty great! I'm so proud of the people the filmmakers talked to - the Oceanic Trust.
I'm very thankful to directors and filmmakers who consider me in their films, and I hope I'm able to do justice to their films.
I feel like there's a lot of sympathy and camaraderie among documentary filmmakers.
Many filmmakers portray teenagers as immoral and ignorant, with pursuits that are pretty base... But I haven't found that to be the case. I listen to kids. I respect them... Some of them are as bright as any of the adults I've met.
The younger generation of filmmakers is concerned about our roots, rather than making films with characters plucked out of the cloud or some English DVD. Actually since 2000, Tamil cinema is going through some positive changes.
I've always been in awe of filmmakers and their patience in realizing their vision because I could never do that.
One fear setting on filmmakers is that the audience no longer has any patience. They want things to constantly move.
I was joking with my mom that all Jewish mothers now will want their kids to be filmmakers instead of doctors. Because you can make one film, and suddenly you're directing a 'Jurassic Park' movie.
I'm married to a nurse, and she is really, really ardent that - in screenplays or movies that I've worked on, that all the medical aspects be properly presented. I think that filmmakers ought to be respectful of all fields and not just be lazy and put nonsense in movies because most people won't know the difference.
I always tell aspiring documentary filmmakers, 'You have to go into it because you love it; if you go into it for the money, you're an idiot.' The number one prerequisite is you have to be intensely curious. If you love learning and trying to make people figure out what makes people tick, it's the best job in the world.
The independence of content creation without fearing what's going to be censored has relieved a lot of filmmakers in India.
I've been encouraging documentary filmmakers to use more and more humor, and they're loath to do that because they think if it's a documentary it has to be deadly serious - it has to be like medicine that you're supposed to take. And I think it's what keeps the mass audience from going to documentaries.
I hope that all new filmmakers see that the Internet and social media are helpful tools in establishing a fan base as well as being able to interact with your fans.
I hope to continue my friendship with France and its filmmakers for many years to come.
There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.
I've had filmmakers, I even had Bono come and talk to me about having a sequel to 'E.T.' help with an environmental message - I listened. I can certainly understand. I mean, the great thing about Bono is that everything he does is in service to a greater cause.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
I hope people don't compare 2D and 3D because 3D's new, it's unfair to compare to 2D which is really sophisticated, even when we're jaded about it. 3D just began, give it a chance, let the equipment and projection system catch up and be better, let the price go down, let more filmmakers get a hold of it more easily.
I've been fortunate to work with some amazing Asian filmmakers in independent film.
History is skewed by filmmakers.
Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers novelists playwrights painters have been examining for a long time.
I think filmmakers want their movies to be seen.
If you look at anybody who's had along career if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.
New Zealand was such a weird place in the 1980s. For instance, we used to have this commercial in the late 1970s where this guy drives this car and stops outside a corner store. He goes in to buy something, and when he comes out, his car is gone. He's like, 'Huh?' Then a voice says, 'Don't leave your keys in the car.'
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