In our romantic groves I adored her like a divinity.

Come live with me and be my love, And we will all the pleasures prove, That valleys, groves, hills, and fields, Woods, or steepy mountain yields.

Show respect to all people, but grovel to none.

My progress was rendered delightful by the sylvan elegance of the groves, chearful meadows, and high distant forests, which in grand order presented themselves to view.

Love rules the court, the camp, the grove, And men below, and saints above: For love is heaven, and heaven is love.

We had an interesting thing at that first dinner. It was prior to the availability of several new hotels in Los Angeles, and we were more or less committed to the old Ambassador Hotel that has the famous Coconut Grove.

Nearly all human cultures plant gardens, and the garden itself has ancient religious connections. For a long time, I've been interested in pre-Christian European beliefs, and the pagan devotions to sacred groves of trees and sacred springs. My German translator gave me a fascinating book on the archaeology of Old Europe, and in it I discovered ancient artifacts that showed that the Old European cultures once revered snakes, just as we Pueblo Indian people still do. So I decided to take all these elements - orchids, gladiolus, ancient gardens, Victorian gardens, Native American gardens, Old European figures of Snake-bird Goddesses - and write a novel about two young sisters at the turn of the century.

When you enter a grove peopled with ancient trees, higher than the ordinary, and shutting out the sky with their thickly inter-twined branches, do not the stately shadows of the wood, the stillness of the place, and the awful gloom of this doomed cavern then strike you with the presence of a deity?

That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn't mean we have to bow and grovel to it. That maybe even if we're not always so glad to be here, it's our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.

The great majority of us are required to live a constant, systematic duplicity. Your health is bound to be affected by it if, day after day, you say the opposite of what you feel, you grovel before what you dislike and rejoice at what bring brings you nothing but misfortune. Our nervous system isn't just a fiction, it's part of our physical body, and our soul exists in space and is inside us, like teeth in our mouth. It can't be forever violated with impunity.

Prince Wen-hui's cook, Ting, was cutting up an ox. Every touch of his hand, every ripple of his shoulders, every step of his feet, every thrust of his knees, every cut of his knife, was in perfect harmony, like the dance of the Mulberry Grove, like the chords of the Lynx Head music. Well done! said the prince. How did you gain such skill? Putting down his knife, Ting said, I follow the Tao, Your Highness, which goes beyond all skills. When I first began cutting up oxen, all I could see was the ox. After three years, I had learned to look beyond the ox. Nowadays I see with my whole being, not with my eyes. I sense the natural lines, and my knife slides through by itself, never touching a joint, much less a bone. A good cook changes knives once a year: he cuts. An ordinary cook changes knives once a month: he hacks. This knife of mine has lasted for nineteen years; it has cut up thousands of oxen, but its blade is as sharp as if it were new. Between the joints there are spaces, and the blade has no thickness. Having no thickness, it slips right through; there's more than enough room for it. And when I come to a difficult part, I slow down, I focus my attention, I barely move, the knife finds its way, until suddenly the flesh falls apart on its own. I stand there and let the joy of the work fill me. Then I wipe the blade clean and put it away. Bravo! cried the prince. From the words of this cook, I have learned how to live my life.

Let us, then, as faithful souls, happy and tireless, advance after the beloved as he moves with giant strides across the heavens. He sees all things. He walks above the smallest blades of grass and the cedar groves, and treads the grains of sand as well as the mountain peaks. Wherever we have trodden he has been, and if we constantly pursue him we shall find him no matter where we are.

We are here to witness. There is nothing else to do with those mute materials we do not need. Until Larry teaches his stone to talk, until God changes his mind, or until the pagan Gods slip back to their hilltop groves, all we can do with the whole inhuman array is watch it.

But Grover's voice was already growing fainter. 'Sweet dreams. Don't let me die!

Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.

Poison!" Grover yelped. "Don't let those things touch you or...

"For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Love rules the court, the camp, the grove, and men below, and the saints above, for love is heaven, and heaven is love.

In our romantic groves I adored her like a divinity.

Show respect to all people but grovel to none.

The groves were God's first temples.

My progress was rendered delightful by the sylvan elegance of the groves chearful meadows and high distant forests which in grand order presented themselves to view.

Come live with me and be my love And we will all the pleasures prove That valleys groves hills and fields Woods or steepy mountain yields.

When the entertainers of the Right aren't declaring their disgust with President Obama for groveling before foreign potentates they're pretending to fear him as a left-wing thug an exemplar of what they call 'the Chicago way.'