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I've written a number of books that have to do with the evolution of humans, human intelligence, human emotions.
I need to add that my work on multiple intelligences received a huge boost in 1995 when Daniel Goleman published his book on emotional intelligence. I am often confused with Dan. Initially, though Dan and I are longtime friends, this confusion irritated me.
I try to put all I am as a person into what I do. My intelligence, my emotion. I've done that in everything.
What matters is hard work, and emotional intelligence.
Empathy and social skills are social intelligence, the interpersonal part of emotional intelligence. That's why they look alike.
Beauty is an asset, just like physical prowess, charisma, brains or emotional intelligence. The key with any gift is in the way that you use it. It doesn't define you as a person. Rather, it's an asset to be used judiciously and with an understanding of how it is just a small part of who you are.
Emotional intelligence is a very important skill set, not just to be happier but also to succeed professionally.
Emotional intelligence begins to develop in the earliest years. All the small exchanges children have with their parents, teachers, and with each other carry emotional messages.
Having emotional intelligence allows you to manage your emotions, show empathy, and prevent you from getting distracted. It also helps you solve problems and be a more likable person.
Leadership is all about emotional intelligence. Management is taught, while leadership is experienced.
The emotional brain responds to an event more quickly than the thinking brain.
My initial goal for the 1984 opening ceremonies was a show that would be majestic, inspirational, and emotional - a 20 goosebump experience.
I think part of the way in which kids develop emotional and psychological resiliency is by having some independence.
Since being quite young, I've had a very strong sense of independence and survival. As a child, I was on my own two feet emotionally.
I'm an emotional sort of person in general and I have a vivid imagination, so I feel the whole spectrum of emotion strongly when I write.
Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me.
Certainly I was a very religious child, a deeply weird and very emotional child, an only child with lots of imaginary friends and a very active imagination. I loved Sunday school and Bible camp and all that. I had my own white Bible with Jesus' words printed in red in the text; I even spoke at youth revivals.
I was raised not to be afraid to show emotion or imagination.
Obviously the imagination is fueled by emotions beyond the control of the conscious mind.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
'Northern Exposure.' I loved that show; I loved the way it was able to have episodes where somebody finds a woolly mammoth, he calls the museum in New York, they send a guy out, and the mammoth's gone because someone ate it. To me, that was everything I ever wanted to do. That show mixed emotion, humor and the surreal all at once.
I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.
Humor is a very important thing. It is a natural predilection. It is an emotional release.
Sometimes a scene may be about one thing, and it may end up still being about that, but the emotionality of it comes from somewhere else, or the humor of it comes from somewhere else, and it gives it that real-life quality.
I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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