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I always liked the magic of poetry but now I'm just starting to see behind the curtain of even the best poets how they've used tried and tested craft to create the illusion. Wonderful feeling of exhilaration to finally be there.
I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate or just never come back I needed some breathing room. I'd already been translating French poetry I'd been to Paris once before and liked it very much and so I just went.
That is what I did with Jack and that's why he liked to do the readings with me because he knew I was there for him and for our ability to blend the poetry and the music.
I've always written. When I was in school the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
I never really liked poetry readings I liked to read poetry by myself but I liked singing chanting my lyrics to this jazz group.
But I liked Yeats! That wild Irishman. I really loved his love of language his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded but his heart was always on the right side. He wrote beautiful poetry.
Honestly I didn't have the patience for biology or history in an academic sense but I always liked the kind of big questions.
I never saw a discontented tree. They grip the ground as though they liked it and though fast rooted they travel about as far as we do.
If I had to play only for people who liked the music because they heard it on the radio it wouldn't make me happy. That's why I'm working so hard to have yes a profile as an artist but also a profile as a DJ.
As a kid I liked the 'Halloween' movies and 'Nightmare On Elm Street' and all that kind of stuff. But as an adult I really don't watch much horror to be honest.
What I liked about American movies when I was a kid was that they're sort of larger than life and I think I'm still suffering from that reaction.
I really liked Carrie a lot. That was one of Brian De Palma's best movies.
We didn't care if we were well-liked as long as the movies were good. We served the movie - that was our master at Miramax. In our second incarnation the movie is still the master but we're getting the same results in more subtle ways.
In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them but you can't really hate them.
Even as a kid I never liked breakfast. I just don't like to eat then. I like to get up and work. I think sticking a whole bunch of carbohydrates in your stomach in the morning is probably the worst way to begin the day.
I saw Deep Purple live once and I paid money for it and I thought 'Geez this is ridiculous.' You just see through all that sort of stuff. I never liked those Deep Purples or those sort of things. I always hated it. I always thought it was a poor man's Led Zeppelin.
I grew up in a really small town with not a lot of money and I liked singing but it was just something that was a hobby.
My mom would have liked it that I patterned myself more after Jimmy Reed.
I never liked apples. In fact when I was a little girl my mom wanted to give me apples in my lunch box and I would ask for green peppers. So bizarre... It's funny - I don't have an apple a day but I can say that I have a few a week.
From the very start of all of this my mom has read the scripts first. And if she liked something she let me read it. She told our agent what kinds of parts that we would want.
If you would ask my mom what books I liked growing up I liked Dr. Seuss.
My mom God rest her soul - she liked nicknames. In the womb she named me Skip. There was another black guy in Piedmont W.Va. and his name was Skip. They called him Big Skip and I was Little Skip.
My mom decorated with lots of antiques. I never liked it when I was a little girl - I wanted to live in a modern house. But now I love it.
There is no hunting like the hunting of man and those who have hunted armed men long enough and liked it never care for anything else thereafter.
Let us being again. To take some examples: why should "literature" still designate that which already breaks away from literature-away from what has always been conceived and signified under that name-or that which, not merely escaping literature, implacably destroys it? (Posed in these terms, the question would already be caught in the assurance of a certain fore-knowledge: can "what has always been conceived and signified under that name" be considered fundamentally homogeneous, univocal, or nonconflictual?) To take other examples: what historical and strategic function should henceforth be assigned to the quotation marks, whether visible or invisible, which transform this into a "book," or which still make the deconstruction of philosophy into a "philosophical discourse"?
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