It's more fun to have a name rather than a number. I think this gives our products a personality. I get the names from literature, movies, opera, traveling, nature, poetry, sometimes even the street. I keep a small book that I write in. I wake up in the middle of the night and jot down a name for a lipstick or an eyeshadow.

I read and watch movies. I can't go to the movie theater much anymore, though, because I get recognized. It's worse sometimes if I wear a costume and try not to get recognized. I watch most of my films on airplanes.

I think in movies, in television, and in advice columns, often there's this idea that what people are really attracted to is confidence. And I think people, especially young men, sometimes misinterpret that to mean being brash, or trying to be an alpha.

People say sometimes that I'm distracted. I'm not distracted. I'm being smart. I'm capitalizing while the iron is hot. That's why I'm trying to do movies. I do the podcast. I do a radio show. I work on FOX. I have a gym; I have a lot of things going on. That's because when I'm done, I want to be set up.

I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.

We make movies and we all try our best and sometimes we connect with the audience, sometimes we don't.

These archetypal older women in movies can sometimes make my skin crawl. It's about the one dimension; it's about the lack of any texture.

I grew up in a conservative small town, and the gay characters I saw on TV and in movies when I was growing up were all flamboyant and obnoxious and sometimes kind of annoying.

It sucks to be the runner-up because I've been the runner-up for a long time in my career. I would get so close and then lose a huge movie and sometimes it's one kid who beats you out for three different movies. It's so frustrating at the time, but what's so great is the lesson you take from that, which is, 'I've got to get better.'

I think that life in Israel is sometimes bigger than the movies.

I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.

You do get very tired sometimes, when you're sitting around for hours in movies. You get depleted.

I think you kind of hope for people to gush over movies, but I think the opposite way is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.

Sometimes in movies, I still have to be the hero, but it's not all that important to me anymore.

Sometimes the strength of motherhood is greater than natural laws.

Waking up with a bad head in the morning is difficult sometimes.

I'm pretty much a 9-to-5 kind of guy. I usually get to work about 8 in the morning, and I work until 4 or 5, and sometimes I work on Saturday and Sunday mornings. Pretty much I keep the same hours as an accountant or clerk or whatever.

At 14, I was the most disciplined guy around. I would get up at 5 o'clock in the morning and run five miles, and then go to school. Sometimes I would run behind the school bus, and the kids thought I was just crazy. I knew what I wanted.

Sometimes you wake up the next morning after making a lot of bad decisions and have this nonchalant reaction like, 'These Things Happen' - what can I say?

What you see in my script may not be what's in the film. Sometimes it's a very scary thing, when I have to shoot in the morning and the scene's not good enough, and it's only me there, and there's no signal to even call the others and say, think of a better line.

I show up in my writing room at approximately 10 A.M. every morning without fail. Sometimes my muse sees fit to join me there and sometimes she doesn't, but she always knows where I'll be. She doesn't need to go hunting in the taverns or on the beach or drag the boulevard looking for me.

The toughest opponent is me. A lot of times, you don't want to train. You don't want to box. Sometimes, life hits you to the point where you don't even want to live. You have to fight with that person. You have to make yourself wake up in the morning. You have to make yourself watch your weight. That's how I fight with that person.

It wasn't always easy getting up at 5 o'clock in the morning to go to the rink. Sometimes I wanted to just go back to sleep.

Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?