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The world is a tragedy to those who feel, but a comedy to those who think.
It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
The day of the wedding went like these things generally do full of anxious moments interspersed with black comedy.
I love doing comedy. Absolutely love it. After 'Wedding Crashers ' people suddenly realized that it was something I could do.
Comedy is a way to make sense of chaos. It's a way of dealing with things that are overwhelming that threaten you it's a way to survive and get closer to the truth.
When you do a drama you are challenged to trust your inner voice much more. Because when you put a comedy in front of even a 25-person screening you know whether it's working or not. The barometer is overt.
I'm a comedian for God's sake. Viewers shouldn't trust me. And you know what? They're hip enough to know they shouldn't trust me. I'm just doing stand-up comedy.
A lot of people say that comedy doesn't travel well. I found it very accessible.
Michael Palin decided to give up on his considerable comedy talents to make those dreadfully tedious travel shows. Have you ever tried to watch one?
I wanted to be an English teacher. I wanted to do it for the corduroy jackets with patches on the side. When I got to college as I was walking across campus one day I ripped off a little flyer for this sketch-comedy group. It ended up being one of the greatest things I've ever done.
If I can make a teacher's salary doing comedy I think that's better than being a teacher.
A sign now of success with a certain audience when you do a short comedy piece anywhere is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.
I've been doing a lot of drama but I feel like comedy is my strength.
As a kid I was short and only weighed 95 pounds. And though I was active in a lot of Sports and got along with most of the guys I think I used comedy as a defense mechanism. You know making someone laugh is a much better way to solve a problem than by using your fists.
Breaking records is not something you expect to be doing. That's like a sports thing it's not usually a comedy and writing thing.
I love a good laugh as well I think that's so important in life which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.
Comedy is very hard but you have to learn the art and science of it.
It's both funny and sad which seem to me to be the two basic ingredients of good comedy.
And the sad truth is that nobody wants me to write comedy. The Exorcist not only ended that career it expunged all memory of its existence.
I had to choose I'd be so sad. They are flip sides of the same coin. I love both comedy and drama.
My comedy is for children from three to 93. You do need a slightly childish sense of humour and if you haven't got that it's very sad.
I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth but for a film. I just want to be all over the place.
It's harder and harder to make a well-done romantic comedy these days because the conventions have been so played out.
In the West audiences think I am a stereotyped action star or that I always play hitmen or killers. But in Hong Kong I did a lot of comedy many dramatic films and most of all romantic roles lots of love stories. I was like a romance novel hero.
I think people that have fear that 'Oh if I have a kid I won't be able to do this and I won't be able to do that.' It's kind of the opposite. It really gives you energy. It makes people better.
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