A good photograph is knowing where to stand.

A dream collage is pictures of your goals. It is like your future photo album.

The key to making healthy decisions is to respect your future self. Honor him or her. Treat him or her like you would treat a friend or a loved one. A Stanford study showed that those who saw a photo of their future self made smarter financial decisions.

If the chemistry is right between star and photographer and the geometry of the pictures pleases the star often the two people end up with a long-term professional friendship during which they continue to work together and to produce highly personal images.

Friendship based solely upon gratitude is like a photograph with time it fades.

I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when as a nation we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.

I have no fear of photography as long as it cannot be used in heaven and in hell.

When I was young I did actually model and was much photographed by famous photographers. But I was always a bookworm.

I like photographing the people I love the people I admire the famous and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

There's such big pressure on people who are incredibly famous on those who have people sitting outside their front door and taking photos every time they move.

These days with 'American Idol' and all the other reality shows young people become famous overnight and that can be very difficult to handle the way photographers follow you around and study your every move.

When you see a fantastic colour or cut in a magazine perched up on some famous so-and-so's head it's tempting to ask your stylist for the same but do not be fooled. The hair in those fancy photos can be very high maintenance.

I became very famous as a teenager and my name and photo were splashed in all the media. They made me larger than life so I wanted to live larger than life and the only way to do that was to be intoxicated.

No journalist has ever been in my house and no photographs have ever been taken of where I live. I don't parade my family out for display which is the way it will stay.

I do not see my family life in any way shape or form as an opportunity for a photo.

A family's photograph album is generally about the extended family and often is all that remains of it.

I always put clothes and family photos under the mattress in case the house burns down.

I think newspapers shouldn't try to compete directly with the Web and should do what they can do better which may be long-form journalism and using photos and art and making connections with large-form graphics and really enhancing the tactile experience of paper.

You have to see a building to comprehend it. Photographs cannot convey the experience nor film.

I believe in equality for everyone except reporters and photographers.

These days most nature photographers are deeply committed to the environmental message.

There is no question that photography has played a major role in the environmental movement.

Our dreams are made of real things like a shoebox full of photographs.

I paint what cannot be photographed that which comes from the imagination or from dreams or from an unconscious drive.