The best morale exist when you never hear the word mentioned. When you hear a lot of talk about it, it's usually lousy.

Usually, the stuff that's your best idea or work is going to be attacked the most.

My approach to beauty is 'less is more,' but I usually wear a pinky-nude lip color, like my Pas du Tout.

It's unnatural to believe death usually has a beauty and a concordance and is usually a coming together of your life's work. It leads to frustration for the patient. And it leaves grieving families convinced they did something wrong.

When a moment in front of me appears to be particularly special, whether it be by beauty or experience, I capture it. I usually find a reason to justify taking that photo - symmetry, or color, or contrast - and it's my hope that my photography sheds light onto what I see and do on a daily basis.

A lot of technologies in the world were unusual in the beginning, and became standard. That's the beauty of bottom-up entrepreneurship and innovations.

Pastry is different from cooking because you have to consider the chemistry, beauty and flavor. It's not just sugar and eggs thrown together. I tell my pastry chefs to be in tune for all of this. You have to be challenged by using secret or unusual ingredients.

Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.

I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.

My delivery can be intense, but it's intense because I need to be heard. I know that people don't usually listen, as it relates to constructive criticism, without getting offended. So, I speak my mind with an attitude that I don't care if you get offended; I just want you to get the message.

Anniversaries are like birthdays: occasions to celebrate and to think ahead, usually among friends with whom one shares not only the past but also the future.

For me, the association with rock is one of force and anger and aggression. And definitely, in the past, I've made songs that attack like that. But what I usually try to appeal to is peoples' everyday feelings, the things that they're going through as they deal with the system on a one-to-one level.

Fear usually looks like anger.

Of the seven deadly sins, anger has long been the one with the best box of costumes. When the guy in the next car rages at you, he's dangerous. When you rage at him, you're just. We can usually recognize the results of anger, especially in others, as destructive and evil.

If there are a couple of adjectives people use to describe me, anger is usually in there. I've never taken that as criticism. It's the way I naturally communicate. But I'm not faux-angry, like Lewis Black, or angry like a gun-toting crazy person. I'm just angry in a mild way - it's not like I'm going to do anything about it.

We don't get the greatest tools to deal with anger. It's like, 'Hey, count to 10.' When someone really upsets me, how do I respond? I don't usually start counting to 10 and breathing deeply.

The quickest way to defuse fear or insecurity or anger is usually humor. I think comics figure that out quickly, and, once you figure it out, you think, 'Hey, if I can do this and get paid, that would be kind of cool.'

In general I was a good kid. It usually took a lot to make me mad. But once I reached the boiling point, I lost all rational control. Totally without thinking, when my anger was aroused, I grabbed the nearest brick, rock, or stick to bash someone. It was as if I had no conscious will in the matter.

My recipe for dealing with anger and frustration: set the kitchen timer for twenty minutes, cry, rant, and rave, and at the sound of the bell, simmer down and go about business as usual.

It's usually a big kind of vent of frustration or anger or sadness that puts me in the right frame of mind to write. It's such a cliche to say that artists write when they're down, but it's true for me. It's a relief to get out what's eating away at my heart or my soul or my head.

Usually when people are sad, they don't do anything. They just cry over their condition. But when they get angry, they bring about a change.

I don't usually lose my temper, but if I get angry, it's true - I'm scary.

The thing about 'Harry Potter' is it's great fun because of the people - I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you're going to hang around on a set bored, you might as well do it with Julie Walters.

You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.