Poetry can unleash a terrible fear. I suppose it is the fear of possibilities, too many possibilities, each with its own endless set of variations. It's like looking too closely and too long into a mirror; soon your features distort, then erupt. You look too closely into your poems, or listen too closely to them as they arrive in whispers, and the features inside you - call it heart, call it mind, call it soul - accelerate out of control. They distort and they erupt, and it is one strange pain. You realize, then, that you can't attempt breaking down too many barriers in too short a time, because there are as many horrors waiting to get in at you as there are parts of yourself pushing to break out, and with the same, or more, fevered determination.

In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.

Every angel is terrifying.

"I am terrified by this dark thing

As Baba Ram Dass (his 'spiritual name'), Richard Alpert explained human attachment as a 'clue that there's work to be done' ? meaning that territoriality was remastered by him as dysfunctional and primitive, and as requiring the curative attentions of a guru, ordinarily an older man.

If you look around to find meaning in everything that happens, you will end up disappointed. Sometimes there aren't reasons behind the terrible things that go on. I ask myself, If I knew all the answers, would it help? I lie awake and wonder why I don't have parents and wonder what will become of my brother and me. But when the morning comes, I realize that there's nothing to be done about what has already happened. I can only get up and do my chores and push through the day and find the good in it.

Scared and sacred are spelled with the same letters. Awful proceeds from the same root word as awesome. Terrify and terrific. Every negative experience holds the seed of transformation.

There were many terrible things in my life and most of them never happened.

You know, a few months ago, I made a terrible mistake. I realized something, and instead of crushing the thought the moment it came I... I let it hang on, and now I know it to be true. And I'm afraid it's stuck in my head forever. These are the best days of our lives. It's a terrible thing to know, but I know it.

The fact is that nothing is more difficult to believe than the truth; conversely, nothing seduces like the power of lies, the greater the better. It's only natural, and you will have to find the right balance. Having said that, let me add that this particular old woman hasn't been collecting only years; she has also collected stories, and none sadder or more terrible than the one she's about to tell you. You have been at the heart of this story without knowing it until today ...

Goldstone has done terrible damage to the cause of truth and justice and the rule of law. He has poisoned Jewish-Palestinian relations, undermined the courageous work of Israeli dissenters and-most unforgivably-increased the risk of another merciless IDF assault.

It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.

Tonight started innocently enough. Most terrible things do, right?

Poverty is not a disgrace, but it's terribly inconvenient

The truly awful thing about beauty is that it reminds us of our limits. Beauty is a kind of unrelenting cruelty. It takes truth, hones it to a terrifying keenness, and uses it to slice us to the bone.

I know you have it in you, Guy," Anne said suddenly at the end of a silence, "the capacity to be terribly happy.

All stories have a curious and even dangerous power. They are manifestations of truth -- yours and mine. And truth is all at once the most wonderful yet terrifying thing in the world, which makes it nearly impossible to handle. It is such a great responsibility that it's best not to tell a story at all unless you know you can do it right. You must be very careful, or without knowing it you can change the world.

Suddenly I began to find a strange meaning in old fairy-tales; woods, rivers, mountains, became living beings; mysterious life filled the night; with new interests and new expectations I began to dream again of distant travels; and I remembered many extraordinary things that I had heard about old monasteries. Ideas and feelings which had long since ceased to interest me suddenly began to assume significance and interest. A deep meaning and many subtle allegories appeared in what only yesterday had seemed to be naive popular fantasy or crude superstition. And the greatest mystery and the greatest miracle was that the thought became possible that death may not exist, that those who have gone may not have vanished altogether, but exist somewhere and somehow, and that perhaps I may see them again. I have become so accustomed to think "scientifically" that I am afraid even to imagine that there may be something else beyond the outer covering of life. I feel like a man condemned to death, whose companions have been hanged and who has already become reconciled to the thought that the same fate awaits him; and suddenly he hears that his companions are alive, that they have escaped and that there is hope also for him. And he fears to believe this, because it would be so terrible if it proved to be false, and nothing would remain but prison and the expectation of execution.

Think of the old clich? about the mind being 'an excellent servant but a terrible master'. This, like many clich?s, so lame & banal on the surface, actually expresses a great & terrible truth.

I've been working hard at assuming Court polish, but the more I learn about what really goes on behind the pretty voices and waving fans and graceful bows, the more I comprehend that what is really said matters little, so long as the manner in which it is said pleases. I understand it, but I don't like it. Were I truly influential, then I would halt this foolishness that decrees that in Court one cannot be sick; that to admit you are sick is really to admit to political or social or romantic defeat; that to admit to any emotions usually means one really feels the opposite. It is a terrible kind of falsehood that people can only claim feelings as a kind of social weapon.

The common thread from all those stories was that talking helped, and listening, and time. One day I would find my own place. I couldn't run there, though, because it didn't exist yet; I had to build it myself, out of forgiveness, truth, and terrifying gestures of friendship.

The terrible thing about the quest for truth is that you find it.

What people never understand is that depression isn't about the outside; it's about the inside. Something inside me is wrong. Sure, there are things in my life that make me feel alone, but nothing makes me feel more isolated and terrified than my own voice inside my head.

"I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn't give away secrets, his own or those of the people he loves; if she doesn't court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God's, is at once terribly imperfect and filled with astonishing life.