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'Hamilton' is, of course, closely tied to the Obamas because Lin first performed the opening number at a White House poetry jam.
Poetry should help, not only to refine the language of the time, but to prevent it from changing too rapidly.
Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.
Poetry and progress are like two ambitious men who hate one another with an instinctive hatred, and when they meet upon the same road, one of them has to give place.
I have to interweave my poetry with purpose. For me, that purpose is to help people, and to shed a light on issues that have far too long been in the darkness.
If a line of poetry strays into my memory, my skin bristles so that the razor ceases to act.
I just submitted what I had to the 'Octopus Books' contest open reading period, and they said they wanted to publish my poetry book. Then I started to publish more and more poetry because people would ask me to do readings or ask me submit something for their journal.
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
Look at Allen Ginsberg. In poems like 'Kaddish' and 'Howl,' you can hear a cantor between the lines. It's fully alive, and I think that's what's missing in modern poetry. It's too dry and cerebral.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless.
A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.
You don't have to live in a garage to write great poetry.
When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.
There is the view that poetry should improve your life. I think people confuse it with the Salvation Army.
Poetry can't give us the laws and institutions and representatives, the antidotes we need: only public activism by massive numbers of citizens can do that.
I think there are things in my story that have helped my creativity. Your father being killed, for instance, is one of the best things that could happen to a kid if he's going to write poetry or songs.
The major poets of New Jersey have all suffered, whether it's Whitman, who lost his job for 'Leaves of Grass,' or William Carlos Williams, who was called a communist, or Ginsberg, whose 'Howl' was prosecuted, or myself. If you practise poetry the way I think it needs to be done, you're going to put yourself in jeopardy.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
You will not find poetry anywhere unless you bring some of it with you.
Poetry is what Milton saw when he went blind.
I owe my discovery of the Hot Club of Cowtown to Kinky Friedman, leader of the Texas Jewboys. When I saw that Bob Wills and his Texas Playboys were headlining the 2003 Santa Clarita Cowboy Poetry and Music Festival, I thought it my duty to check out the band that had inspired the Texas Jewboys.
The musician - if he be a good one - finds his own perception prompted by the poet's perception, and he translates the expression of that perception from the terms of poetry into the terms of music.
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
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