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If you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects. If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway.
Support is the number one thing when it comes to fighting a mental illness. And the ones who have walked in the same shoes as you are the very best support system. There is no stigma in this group. There is no judging. We aren't here to judge. We are here to understand and to let you know you aren't alone in whatever battle you are facing. And that is why we started this group called You Matter.
DO NOT GIVE UP EVEN IF YOUR LIFE IS COMPLETELY ZERO, BECAUSE YOU HAVE THE POWER TO WRITE NUMBERS IN FRONT OF THAT ZERO.
Generalization hides the problem and the perpetrators . It becomes difficult to find solution, because everyone denies the allegations, meanwhile the number of victims increases. It pushes those who want to help away and those who are guilty not to see their fault.
If even God is referred to by using the number, why don't you think that your birthdate and numerical values of the letters that build your name up are also telling you something?
"I'm a dinosaur, he thought, lumbering through a world where truthtellers
The way you separate Reality from Imagination is the number of bandages you have to use.
Don't interpret anything too much. This is time waster number 1.
How long had it had been since she'd thought back on the evenings around the fire, number games at the kitchen table, or listening to her father sing? Too long. Yes, there had been bad times. And she had tallied them like figures in a column, not remembering to factor in the good. She had doctored the books.
In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew; these are the tragedies of life.
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Ya Tuhan, lindungilah kami dari kutipan-kutipan bagus yang tidak mencantumkan sumber aslinya.
If I could be but a leaf on that tree, And of this encumbering world be free, be free!
If you love someone, support his or her passion. Be the crazy, devoted, love-sick, number-one fan that sustains him or her through times of disappointment and doubt.
Social Media will come to you and start putting ideas in your head to do something you might regret. They will tell you that they will support you and they will be with you all the way. When is time to face the music. To find your alone and when you look behind no one is there. They all logged off. Be careful , Don't be fooled by the number of followers, retweets, likes or comments. They will hype you now , 3 minutes late they have forgotten about you.
We are all given the same number of hours . It depends on what you spend your time on. It is either you spend your time complaining, crying, blaming on what is wrong in your life or you spend your time fixing, solving, improving and working on what is wrong in your life.
Transmogrification-that's the right word. It's been on the tip of my tongue, but I couldn't quite catch it. It's a cumbersome word. It rolls through your mouth and then staccatos onto the floor in chunks of unnecessary syllables, like echoes of a thought already gone. It is a transformation, a metamorphosis that occurred not because I'd changed but because the rest of the world had.
Besides, dearie, your mother didn't really die alone. God was with her till the last breath left her chest. Even had you been there, you couldn't have healed her, not with all your medicine and equipment. God alone numbers our days. God alone heals, and He did-the very moment your mother stepped into heaven. Of that, ye can rest assured.
Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. ("Novelty")
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page - but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches - which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models - usually friends - if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.
The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.
I like to imagine that the world is one big machine. You know, machines never have any extra parts. They have the exact number and type of parts they need. So I figure if the entire world is a big machine, I have to be here for some reason. And that means you have to be here for some reason, too.
The trouble about jumping was that if you didn't pick the right number of storeys, you might still be alive when you hit bottom.
"I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily?against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better.
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