By employing a certain sense of humor, you essentially get more serious about things and show conflict more effectively than if you were overly dramatic or only violent because that's a one-way approach that just forces audiences to watch something appalling.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

Every Mother Counts is a nonprofit organization dedicated to making pregnancy and childbirth safe for every mother. We inform, engage, and mobilize audiences to take action and raise funds that support maternal health programs around the world.

Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.

To have great poets, there must be great audiences.

During the Great Depression, when people laughed their worries disappeared. Audiences loved these funny men. I decided to become one.

I'm terrified of being too famous. What I'm really afraid of is that the audiences will go into the theater and not be able to forget that it's me, that fame will stand in the way of my acting. I want to keep being able to change into different shapes and different personalities.

There has to be the popcorn genre element, or I don't engage the same way. I like action and vehicle design and guns and computer graphics as much as I like allegory. It's a constant balancing game. I want audiences to be on this rollercoaster that fits the Hollywood mould, but I also want them to absorb my observations.

'Dating In The Dark' is a unique show that is going to bring something very new to the table for the audiences. The format will make people look beyond the general dating norms of our society: who knows, maybe even reinvent them.

I think audiences can relate to the guys I'm playing, those large-and-in-charge idiots. Or maybe I just make them feel better about who they are, or who they're dating.

I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.

The thing I do, really, is a communication with audiences more than any achievement through records.

I still do believe in the power of the Internet for good. I believe it's a net positive. I believe that it does connect people. It does give people a chance to be more of themselves. It does allow for content to be created for audiences that were being completely ignored and neglected.

In day-to-day commerce, television is not so much interested in the business of communications as in the business of delivering audiences to advertisers. People are the merchandise, not the shows. The shows are merely the bait.

The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.

Audiences like me doing action and comedy. I am a jovial person and have been so from childhood. I like to laugh my way through my work, and that attitude reflects in my roles. Even women hate me doing rona-dhona roles. So I don't do emotional films.

What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.

When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.

Nowadays, 'Drag Race' shows how fantastic and amazing drag queens can be, so audiences won't sit through a boring show anymore. You have to keep people entertained.

It's never been easier for audiences to skip, filter, or avoid advertising, so the best ideas are the ones that respect that the audience needs to get something out of the work; it should inspire, satisfy, or motivate them. You can't just bombard people with messages anymore.

The things said most confidently by advanced persons to crowded audiences are generally those opposite to the fact; it is actually our truisms that are untrue.

"Do you remember all of your audiences?" Marco asks.