Telling stories and having them received is so important. That dialogue is everything. I tell my students all the time that what separates us as human beings is our ability to hold stories. Our narrative history. There is so much power in that. Storytelling is our human industry.

I love the freedom that the narrative form provides.

Historically, narratives of forgiveness were part of both the anti-slavery movement and the civil rights movement in America. 'Uncle Tom's Cabin,' for instance, was based loosely on the life of the Rev. Josiah Henson, who forgave his master that wanted to sell him and beat him after Henson begged him not to.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

The narrative in 2020 must speak about gender equality which will only come from empowering the women who've been given the short end of the stick for far too long.

To take women's equality from novelty to norm, we need to change narratives at a societal and individual level.

Propelled by freedom of faith, gender equality and economic justice for all, India will become a modern nation. Minor blemishes cannot cloak the fact that India is becoming such a modern nation: no faith is in danger in our country, and the continuing commitment to gender equality is one of the great narratives of our times.

I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.

I've always been fascinated by dreams - they seem like such intriguing evidence of the brain's obsession with narrative as a form of sense-making. But because dreaming is an unconscious process, we have little control over the stories we tell, so they can be fraught with anxiety, vulnerability, and exposure.

There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

Write out the story - rapidly, fluently, and not too critically - following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.

If you can work a brand successfully into the narrative of your product, then it's really cool. Then people actually take the brand up and say, 'My positive experience in your product is directly connected and influenced by this brand and that worked great.'

The narrative of 'man the hunter' presupposes that men provided the nutrition, invented the tools, and established social organization and communication through the hunt, and that women were just sitting by the fire waiting for evolution to drag them out by the hair in the 1960s in order to participate.

With docs, there's often a very direct communication between the filmmaker and the audience. With narrative movies, we leave it a little bit more open.

The whole Christmas story was probably a later addition to the gospel narratives, presented only by the authors of Matthew and Luke. Mark and John seem never to have heard of the manger in Bethlehem, the Massacre of the Innocents, the hovering star, the three wise men, and so forth.

It's great to have the chance to play a character before he goes to the dark side, or the yellow side if you will. Normally, you don't get that opportunity. The narrative of a movie usually demands that you are that guy from the start.

I'm fascinated by the narrative of geology, and I'm a veritable pack rat of a collector on the road. I keep a rock hammer in my car.

My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.

Cognitive psychology has shown that the mind best understands facts when they are woven into a conceptual fabric, such as a narrative, mental map, or intuitive theory. Disconnected facts in the mind are like unlinked pages on the Web: They might as well not exist.

Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.

When we sow a seed, we plant a narrative of future possibility.

Choose the truth or facts rather than choosing sides. Those who want you to side with them , manipulate information to push their narrative. When you choose sides you will be disappointed by the results, because the truth always comes out somehow, someway.

I have been writing for as long as I can remember. Fed by the books my parents read aloud to me, when I was little I would wander around my yard imagining I was a bird, or a runaway princess, or a fairy; and I would make up narratives about what I did. That pastime blossomed into dictating stories to my family and teachers until I learned to write well myself. I have always loved to draw. I have never been sure which hobby I am more passionate about. Now, as I write this, I realize that I would not love drawing if I didn't make up stories in my mind about the things I draw. Both of these passions come from my need to capture what I see without destroying it, to clarify images and make them mine, and to express to the world the love I have for the things I perceive.

Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. ("Novelty")