God pity the poor novelist.

If a person is not talented enough to be a novelist, not smart enough to be a lawyer, and his hands are too shaky to perform operations, he becomes a journalist.

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

Jeremy and Karl and Elizabeth have known each other since the first day of kindergarten. Amy and Talis are a year younger...Now the five are inseparable; invincible. They imagine that life will always be like this--like a television show in eternal syndication--that they will always have each other. They use the same vocabulary. They borrow each other's books and music. They share lunches, and they never say anything when Jeremy comes over and takes a shower. They all know Jeremy's father is eccentric. He's supposed to be eccentric. He's a novelist.

"I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily?against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better.

"If you only write when you're inspired you may be a fairly decent poet, but you'll never be a novelist because you're going to have to make your word count today and those words aren't going to wait for you whether you're inspired or not.

Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation-none other than an interest in being born again as somebody else-suggests that he is not happy!

...he was after all, a novelist...and a novelist was simply a fellow who got paid to tell lies. The bigger the lies, the better the pay.

If you only write when inspired, you may be a fairly decent poet, but you'll never be a novelist.

It is symptomatic of the constricting specialism and the oppressive burden of fact of our time that it has been left to the imagination of a novelist, Marguerite Yourcenar, to create the broadest, the most balanced and in many ways the most authentic interpretation of the affair.

Margaret Atwood, the Canadian novelist, once asked a group of women at a university why they felt threatened by men. The women said they were afraid of being beaten, raped, or killed by men. She then asked a group of men why they felt threatened by women. They said they were afraid women would laugh at them.

A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.

There's a unique bond of trust between readers and authors that I don't believe exists in any other art form as a reader I trust a novelist to give me his or her best effort however flawed.

Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.

The novelist must look on humanity without partiality or prejudice. His sympathy like that of the historian must be unbounded and untainted by sect or party.

Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers novelists playwrights painters have been examining for a long time.

I'm mostly a novelist these days but I have written short stories in Fantasy Science Fiction and horror.

I think that if the novel's task is to describe where we find ourselves and how we live now the novelist must take a good hard look at the most central facts of contemporary life - technology and science.

Although some people think I am a romantic novelist I have always thought of myself as a rather gritty radical historian.

Before I became a suspense novelist I wrote romantic suspense as Alicia Scott.

For the first-time novelist you've got to get up at 5:30 in the morning and write until 7 make breakfast and go to work. Or come home and work for an hour. Everybody has an hour in their day somewhere.

Novelists are not equipped to make a movie in my opinion. They make their own movie when they write: they're casting they're dressing the scene they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.

A novelist is like all mortals more fully at home on the surface of the present than in the ooze of the past.