Frost was no match for Nixon - far from being an intrepid and challenging interviewer, he was a pushover for the great and the famous, always deeply impressed with the fact that here he was, David Frost, putting questions to - Richard Nixon!

Congressional Republicans are dismantling the limited environmental protections initiated by Richard Nixon, who would be something of a dangerous radical in today's political scene.

Richard Nixon had a kind of Walter Mitty fantasy life. He was a man with a grandiose thoughts: dreams of not simply being president but maybe becoming one of the truly great presidents of American history.

I turned my hand to costume design a few years ago when I created the outfits for 'This Is the Sea,' with Richard Harris and Samantha Morton. It's a very different discipline to being a fashion designer, though - you have to rein in your own vision and work to a tight brief.

I loved rock and roll when that came in, Bill Haley, Little Richard, Fats Domino, Buddy Holly, Elvis Presley, all those great records. So I begged my mom and dad for a guitar, which eventually they did get me for Christmas, but it went out of tune very quickly, and it hurt my fingers.

I have a blue 2010 Dodge Challenger SRT, the first car I ever bought. I didn't want it to just be a regular Challenger. I wanted it to be different. So I sent it out to Richard Petty's garage in North Carolina, completely tricked it out - a one-of-a-kind built for me and we changed the name of it from 'Challenger' to 'Champion.'

I'm an anorak. I've always been an obsessive collector of things. Richard Briers collects stamps. I collect cars and guns, which are much more expensive, and much more difficult to store.

Richard Childress and myself have made some important innovations on our cars.

I saw Richard Linklater's film 'Slacker' for my twenty-first birthday. That was the moment when it all seemed possible. This guy gave me hope.

When you Google me, you'll find a lot of people don't like Richard Dreyfuss. Because I'm cocky and I present a cocky attitude. But no one has ever disagreed with the notion I represent, that we need more civic education. So far there's 100 percent support for that.

Since the time of Richard Nixon, there has been a strange lack of will in the media to identify the real cause for Americans' anger at politicians who fall, publicly and spectacularly.

A Boosh fan bought me an original copy of 'The Jungle Book' - like, the first print from 1894 - so I've just started re-reading that and am really enjoying it. But the last book I read in its entirety was 'Willard and his Bowling Trophies,' by Richard Brautigan, which is amazing.

"Whenever Richard Cory went down town

As Baba Ram Dass (his 'spiritual name'), Richard Alpert explained human attachment as a 'clue that there's work to be done' ? meaning that territoriality was remastered by him as dysfunctional and primitive, and as requiring the curative attentions of a guru, ordinarily an older man.

John Hodgson can describe Richard Dawkins's atheism as vacuous only because 'atheist' is a term which non-believers use purely as a polemical convenience when we have to define concisely what we don't believe [...]. No atheist is principally that. What we'd want to call ourselves is humanist or materialist, or biologist or linguist, or for that matter socialist, because one or more of these, or something else again, is what we do and think and are. We have 'purely and simply finished with God', to adapt a phrase of Engels's.

"Fear no more," said Clarissa. Fear no more the heat o' the sun; for the shock of Lady Bruton asking Richard to lunch without her made the moment in which she had stood shiver, as a plant on the river-bed feels the shock of a passing oar and shivers: so she rocked: so she shivered.

"The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.

Writing allows me the time to travel and see the world which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton but it's the wrong century.

I have good relationships with Hillary Clinton Joseph Biden and especially Richard Holbrooke - he is my teacher. I learned a lot of great things from him.

In the 18th century James Hargreaves invented the Spinning Jenny and Richard Arkwright pioneered the water-propelled spinning frame which led to the mass production of cotton. This was truly revolutionary. The cotton manufacturers created a whole new class of people - the urban proletariat. The structure of society itself would never be the same.

Plus you know when I was young there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing and I always also believed that it released the audience.

I'm an atheist but I'm very relaxed about it. I don't preach my atheism but I have a huge amount of respect for people like Richard Dawkins who do.

The African American's relationship to Africa has long been ambivalent at least since the early nineteenth century when 3 000 black men crowded into Bishop Richard Allen's African Methodist Episcopal Church in Philadelphia to protest noisily a plan to recolonize free blacks in Africa.

I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor ' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it you know. It is weird. Suddenly you wake up and it's like 'God five years have gone by.'