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As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.
Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
I've been saying for a couple of years now that people need to let God out of the Sunday morning box, that He doesn't want to just be with you for an hour or two on Sunday morning and then put back in His box to sit there until you have an emergency, but He wants to invade your Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday.
I'm not an early bird at all. Ideally, on Saturday morning I'd allow myself a lovely lie-in. 10:45 would be just right.
Being raised Muslim, we had to get up at the crack of dawn to pray. There was no sleeping in, no getting up Saturday morning to watch cartoons because there was no TV in the house. But you got up and you worked, cleaned the house.
I have to be alone very often. I'd be quite happy if I spent from Saturday night until Monday morning alone in my apartment. That's how I refuel.
My mom thought I could dance because I used to dance to this Janet Jackson song she'd play when I was a baby. Then she would take me to a Saturday dance school. I used to go every week and got spotted by a scout, who suggested I audition for the role of Billy in 'Billy Elliot the Musical.'
My humor is a lot like Kristen Wiig's from 'Saturday Night Live' or 'Bridesmaids.' Quirky, off the beaten path.
My wife never went to many Liverpool games but if she was out on a Saturday, she would always ask someone for the score. If we had won, she'd simply be relieved that I would be coming home in a good mood.
We used to go to the pictures every Saturday night but we had to leave a little bit early and get home and watch Match of the Day - and my wife still complains she missed the last five minutes of every film we saw.
I'll co-host 'TODAY' from Los Angeles Saturday morning and then make my way up to Merced for that evening's graduation ceremony. I'm still touching up my remarks, but my challenge to the Class of 2010 will be to break through the deafening and too often negative echo chamber of the digital era and become critical and independent thinkers.
I train Monday through Saturday. I usually have fitness training for 90 minutes, then I'm on the tennis court for 3 to 4 hours.
I had dreams of conehead aliens when I was little. Before 'Saturday Night Live' did it. And then they came out with them, and I went on to be a glorified extra in the movie. When everyone else was laughing, I was scared.
I love meat and vegetables. If I did a diet, I would do Paleo, except they have no cheese, which is very upsetting. I'm going to start my own Chrissy diet that's like Paleo plus cheese. Plus late Saturday night drive-through.
Most of the time you're too busy to think about it. But every now and then you say, 'I work at 'Saturday Night Live,' and that is so cool.
Saturday morning, you knew what was cool by what was on 'Soul Train.'
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.
I miss Saturday morning, rolling out of bed, not shaving, getting into my car with my girls, driving to the supermarket, squeezing the fruit, getting my car washed, taking walks.
This generation is so dead. You ask a kid, 'What are you doing this Saturday?' and they'll be playing video games or watching cable, instead of building model cars or airplanes or doing something creative. Kids today never say, 'Man, I'm really into remote-controlled steamboats.'
Songs don't have to be about going out on Saturday night and having a good rink-up and driving home and crashing cars. A lot of what I've done is about alienation... about where you fit in society.
I started performing non-professionally at birthday parties and family gatherings doing 'Saturday Night Live' impressions at four. Then I started for real at seven.
I once attended a birthday party where Danny Kaye dropped in to entertain the birthday boy and his guests; I was sometimes taken for lunch on Saturdays by my father to The Brown Derby; and my favorite meal is still the Cobb salad in the Polo Lounge of the Beverly Hills Hotel.
The first glimpse I had of what Mario Batali's friends had described to me as the 'myth of Mario' was on a cold Saturday night in January 2002, when I invited him to a birthday dinner.
For my 50th birthday, I got ahold of a new print of 'Saturday Night Fever.' I see it much more as a tough coming-of-age movie than as a disco story.
The wisdom and experience of older people is a resource of inestimable worth. Recognizing and treasuring the contributions of older people is essential to the long-term flourishing of any society.
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