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When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'

I always wrote poetry as a teenager and it was always so dark, but it made me feel good to get it out.

I don't think my father considered allowing a teenager to follow his dreams was necessarily good parenting, or even parenting. I think he thought I was a teenager with teenage impulses. I'm pretty sure he knew that if he just let me follow those impulses, it would wind up being very expensive and perhaps even life-endangering.

My parents were divorced when I was a young teenager, and I was raised by a single mother after that. So, I understand the difficulties that families have. I understand single parenting.

While not impossible, it is especially challenging for teenage parents to develop bonds with their children. A high percent of them were themselves children of teenage parents and have never experienced appropriate parenting.

We expect teachers to handle teenage pregnancy, substance abuse, and the failings of the family. Then we expect them to educate our children.

Few things are more satisfying than seeing your children have teenagers of their own.

When I was a teenager, I began to settle into school because I'd discovered the extracurricular activities that interested me: music and theater.

I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.

I make movies for teenage boys. Oh dear, what a crime.

I was accepted to multiple fashion schools. But I had two kids when I was a teenager. My kids' mom already had two kids when she was still in high school. So I had to be in the streets early. Instead of going to fashion school, I took the street route.

I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.

We need somebody who's got the heart, the empathy, to recognize what it's like to be a young teenage mom, the empathy to understand what it's like to be poor or African-American or gay or disabled or old - and that's the criterion by which I'll be selecting my judges.

I was extremely curious growing up. I taught myself how to sew, French braid, and cook. When I wasn't creating things with my hands, I was learning more about tech. I was experimenting with email at nine, had my first cell phone at 13, and was truly obsessed with the Internet as a teenager.

But when I was a teenager, I was in my room learning how to play bass by listening to Rush and the Sex Pistols. I wasn't reading Karl Marx.

I've yet to meet a bitter teenager. Bitterness, jealousy and jadedness, I think, are the most unattractive qualities in a person, and unfortunately they do seem to come with age.

I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.

As a teenager, I had a weakness for freedom fighters. When Mugabe came to London to negotiate independence, I vanished from home to stand outside his hotel. I was very disappointed that he looked like a dorky teacher.

America is a country that seems forever to be toddler or teenager, at those two stages of human development characterized by conflict between autonomy and security.

I grew up in Cuba under a strong, military, oppressive dictatorship. So as a teenager, I found myself involved in a revolution. I remember during that time, a young, charismatic leader rose up, talking about hope and change. His name was Fidel Castro.

From their teenage years on, children are considerably more capable of causing parents unhappiness than bringing them happiness. That is one reason parents who rely on their children for happiness make both their children and themselves miserable.

Motherhood is a great honor and privilege, yet it is also synonymous with servanthood. Every day women are called upon to selflessly meet the needs of their families. Whether they are awake at night nursing a baby, spending their time and money on less-than-grateful teenagers, or preparing meals, moms continuously put others before themselves.

Our record number of teenagers must become our record number of high school and college graduates and our record number of teachers, scientists, doctors, lawyers, and skilled professionals.

I felt cheated by the way grown-ups told me that the future of the world was bleak when I became a teenager in the 1970s. The pollution explosion was unstoppable. Global famine was inevitable. I genuinely want the next generation, my own kids, to know that actually it's possible that the future might be better than the past.

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I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination.

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