Teaching does allow me to keep one foot in the youthful waters I tend to occupy in my novels, so I'm thankful for that. My students also remind me on a daily basis that the stories I collected during my district attorney days are actually interesting to people who haven't had that experience.

Given that everyone's got a voice, it's the age of the democratisation of information through digital technology. That means women can rise up, and people of colour can rise up, and these stories are much more present to us. And that's great.

Digital technology allows us a much larger scope to tell stories that were pretty much the grounds of the literary media.

Nothing connects with people like humanity. That doesn't mean you have to tell slice-of-life stories all the time. But you know, with so many options in technology, the consumer's not really that interested in advertising... They are interested in great stories. That transcends any medium.

There was a time in the 1930s when magazine writers could actually make a good living. 'The Saturday Evening Post' and 'Collier's' both had three stories in each issue. These were usually entertaining, and people really went for them. But then television came along, and now of course, information technology... the new way of killing time.

Technology has saved us money in some circumstances, but it has really afforded us the ability to cover stories from locations we might not have been able to in the past.

My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.

I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was why I liked his books, and why I wasn't a big reader of other children's' books.

The Sunday School teacher talked too much in the way our grade school teacher used to when she told us about George Washington. Pleasant, pretty stories, but not true.

I started writing stories when I was six years old. I was a very shy kid, extremely shy, and I had a fabulous first-grade teacher who told me to write.

I have several close friends who are insomniacs. Over the years, I've heard their stories about being up in the middle of the night, completely awake. I see them yawn at 11 A.M. and know that, regardless of what they are doing, they'd probably rather be in bed sleeping. I've always had sympathy for them, but I've never really understood it.

In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.

Apart from being motivation for themselves, I think big givers should also talk about their philanthropy so that their work and their success stories prove inspirational enough for many others to follow.

I understand that I'm able to connect with people; I have an emotional bonding with people. My strength lies in my ability to tell stories and to touch people's hearts and to move them.

I think a big part of our attraction to sport movies are the stories contained within the sports.

I suspect millions of people from my generation probably have comparable stories to tell: if not of sports simulations then of Dungeons & Dragons, or the geopolitical strategy of games like Diplomacy, a kind of chess superimposed onto actual history.

Foreign policy simply cannot be judged by today's headlines that chalk up victories and defeats like so many box scores in the sports sections.

At school I pretended I had a normal life, but I felt lonely all the time and different from everyone else. I never felt like I fit in, and I wasn't allowed to participate in after-school activities, go to sports events or parties or date boys. Many times I had to make up stories about why I couldn't do anything with my classmates.

I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.

I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well.

There are no heroes in most of my stories. I look at our society with a critical eye and find nothing extraordinary in the people I see.

The Zionists indeed learnt well from the Nazis. So well that it seems that their morally repugnant treatment of the Palestinians, and their attempts to destroy Palestinian society within Israel and the occupied territories, reveals them as basically Nazis with beards and black hats.

As a society, we devalued farming as an occupation and encouraged the best students to leave the farm for 'better' jobs in the city. We emptied America's rural counties in order to supply workers to urban factories.

Oscar Wilde always makes me smile - with respect and admiration. His short stories prove that it is possible to be both sarcastic, even cynical, but deeply compassionate. Just seeing the cover of one of Wilde's books in a bookshop makes me smile.