I've been on both sides: the victim and the villain. I was the victimised model, and everything from my weight to my fertility was held up for discussion. And then I was the person that could garner some kind of positive outcome, by taking on the role of vice chairman of the British Fashion Council and becoming an activist of body image.

I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.

I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's 'Blue Velvet.'

Indeed, we're strongest when the face of America isn't only a soldier carrying a gun but also a diplomat negotiating peace, a Peace Corps volunteer bringing clean water to a village, or a relief worker stepping off a cargo plane as floodwaters rise.

I come from a small village and have had no formal training in music or any classes from the masters of Indian classical music.

Doom is a classic supervillain, akin to the Phantom of the Opera. It's not about revenge so much as, like, 'I'm back - now watch this!' It all boils down to the music. The mask is a slight theme for people to enjoy, and it adds mystery.

Movies are full of leading men, most of whom aren't working. It's much harder to find a good villain.

I've played a lot of bad guys in my time, especially in movies. It's delightful playing the villain. It's almost the most interesting and most complicated role in a film.

One doesn't need a particular height or body to be a villain in movies. He needs the brain and the look.

I define 'social thriller' as thriller/horror movies where the ultimate villain is society.

A cinema villain essentially needs a moustache so he can twiddle with it gleefully as he cooks up his next nasty plan.

The Village Voice gave me an outlet. They encouraged writers to publish idiosyncratic, intellectually ambitious journalism in voices that ranged from demonic to highfalutin. And they paid me well once the magazine was unionized. Getting paid is motivational.

My mom, my aunt, and my grandma banded together and gave me a village of support when I was growing up.

I began my career as a medical doctor in Ama Keng, a poor village in Lim Chu Kang. The people I cared for were ordinary Singaporeans. They were simple people who despite their hard work, had barely enough for themselves.

On bad days, I think I'd like to be a plastic surgeon who goes to Third World countries and operates on children in villages with airlifts, and then I think, 'Yeah, right, I'm going to go back to undergraduate school and take all the biology I missed and then go to medical school.' No. No.

I love those connections that make this big old world feel like a little village.

I did this within a philosophical framework, and a moral and legal framework. And I have been turned into a cartoon of the greatest villain in the history of lobbying.

The computer is my favourite invention. I feel lucky to be part of the global village. I don't mean to brag, but I'm so fast with technology. People think it all seems too much, but we'll get used to it. I'm sure it all seemed too much when we were learning to walk.

Lincoln's stature and strength, his intelligence and ambition - in short, all the elements which gave him popularity among men in New Salem, rendered him equally attractive to the fair sex of that village.

The new electronic independence re-creates the world in the image of a global village.

But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.

So, I'm thinking of a name for a villain that has a sense of humor. I thought of 'The Joker' as a name, and as soon as I thought that, I associate it with the playing card, as my family had a tradition of champion playing; my brother was a contract champion bridge player. There were always cards around the house.

So once I thought of the villain with a sense of humor, I began to think of a name and the name "the Joker" immediately came to mind. There was the association with the Joker in the deck of cards, and I probably yelled literally, 'Eureka!' because I knew I had the name and the image at the same time.